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"Invisible, as Music - But positive, as Sound -" : The Intertextual Continuum of Poetry, Music, and Song in Aaron Copland's Twelve Poems of Emily Dickinson, Benjamin Britten's Songs and Proverbs of William Blake, and Benjamin T. Martin/Alexandre Tchaykov's I See and Unsee: Five Memory Songs.
"Invisible, as Music - But positive, as Sound -" : The Intertextual Continuum of Poetry, Music, and Song in Aaron Copland's Twelve Poems of Emily Dickinson, Benjamin Britten's Songs and Proverbs of William Blake, and Benjamin T. Martin/Alexandre Tchaykov's I See and Unsee: Five Memory Songs.
Tchaykov, Alexandre.Music 0579. | University of California, Los Angeles. | 2024
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