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"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships.
"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships.
- 자료유형
- 학위논문
- Control Number
- 0017160705
- International Standard Book Number
- 9798382717593
- Dewey Decimal Classification Number
- 384
- Main Entry-Personal Name
- Hammond, Mary Eileen.
- Publication, Distribution, etc. (Imprint
- [S.l.] : The University of North Carolina at Chapel Hill., 2024
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- Physical Description
- 192 p.
- General Note
- Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
- General Note
- Advisor: Silva, Kumarini.
- Dissertation Note
- Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2024.
- Summary, Etc.
- 요약"Love in the Trenches" is a qualitative study that focuses on the Museum of Broken Relationships (MBR), located in Zagreb, Croatia and its 2023 travelling exhibition at the Herron School of Art and Design at Indiana University-Purdue University Indianapolis (IUPUI). In it, I make two critical interventions. The first is an epistemological intervention that calls for an expanded view of what constitutes sites "worthy" of study in the field rhetoric, especially one that takes into account feminist ethics and politics of knowledge production. Second, expanding on Kenneth Burke's concept of identification, I introduce the term "refracted identification" as a theoretical framework for engaging public sites that center intimacy through objects and their stories as simultaneously personal and universal. I define refracted identification as an emotional identification forged through the experience of a compound object and story together, finding the compound object-story requires a more complex framework of analysis to encompass the symbolic, material, and affective dimensions of its rhetorical force. Through a close reading of the museum and its objects at the MBR, and by contextualizing the analysis within the history of war that frames MBR in Zagreb and the academic context of MBR Indianapolis, I demonstrate how the MBR's practice of displaying sentimental objects contributed by anonymous individuals alongside their unedited stories as object labels creates the conditions for refracted identification by visitors to the museum.
- Subject Added Entry-Topical Term
- Communication.
- Subject Added Entry-Topical Term
- Museum studies.
- Subject Added Entry-Topical Term
- Rhetoric.
- Index Term-Uncontrolled
- Affect
- Index Term-Uncontrolled
- Intimacy
- Index Term-Uncontrolled
- Museum of Broken Relationships
- Index Term-Uncontrolled
- Museums
- Index Term-Uncontrolled
- Refracted identification
- Added Entry-Corporate Name
- The University of North Carolina at Chapel Hill Communication Studies
- Host Item Entry
- Dissertations Abstracts International. 85-11A.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:658078