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"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships.
コンテンツ情報
"Love in the Trenches": Intimacy and Identification at the Museum of Broken Relationships.
자료유형  
 학위논문
Control Number  
0017160705
International Standard Book Number  
9798382717593
Dewey Decimal Classification Number  
384
Main Entry-Personal Name  
Hammond, Mary Eileen.
Publication, Distribution, etc. (Imprint  
[S.l.] : The University of North Carolina at Chapel Hill., 2024
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2024
Physical Description  
192 p.
General Note  
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
General Note  
Advisor: Silva, Kumarini.
Dissertation Note  
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2024.
Summary, Etc.  
요약"Love in the Trenches" is a qualitative study that focuses on the Museum of Broken Relationships (MBR), located in Zagreb, Croatia and its 2023 travelling exhibition at the Herron School of Art and Design at Indiana University-Purdue University Indianapolis (IUPUI). In it, I make two critical interventions. The first is an epistemological intervention that calls for an expanded view of what constitutes sites "worthy" of study in the field rhetoric, especially one that takes into account feminist ethics and politics of knowledge production. Second, expanding on Kenneth Burke's concept of identification, I introduce the term "refracted identification" as a theoretical framework for engaging public sites that center intimacy through objects and their stories as simultaneously personal and universal. I define refracted identification as an emotional identification forged through the experience of a compound object and story together, finding the compound object-story requires a more complex framework of analysis to encompass the symbolic, material, and affective dimensions of its rhetorical force. Through a close reading of the museum and its objects at the MBR, and by contextualizing the analysis within the history of war that frames MBR in Zagreb and the academic context of MBR Indianapolis, I demonstrate how the MBR's practice of displaying sentimental objects contributed by anonymous individuals alongside their unedited stories as object labels creates the conditions for refracted identification by visitors to the museum.
Subject Added Entry-Topical Term  
Communication.
Subject Added Entry-Topical Term  
Museum studies.
Subject Added Entry-Topical Term  
Rhetoric.
Index Term-Uncontrolled  
Affect
Index Term-Uncontrolled  
Intimacy
Index Term-Uncontrolled  
Museum of Broken Relationships
Index Term-Uncontrolled  
Museums
Index Term-Uncontrolled  
Refracted identification
Added Entry-Corporate Name  
The University of North Carolina at Chapel Hill Communication Studies
Host Item Entry  
Dissertations Abstracts International. 85-11A.
Electronic Location and Access  
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Control Number  
joongbu:658078
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