자료유형  

 학위논문

Control Number  

0016935874

International Standard Book Number  

9798380847049

Dewey Decimal Classification Number  

780

Main Entry-Personal Name  

Kuyumjian, Marcelo Boccato.

Publication, Distribution, etc. (Imprint  

[S.l.] : University of Illinois at Urbana-Champaign., 2021

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2021

Physical Description  

1 online resource(232 p.)

General Note  

Source: Dissertations Abstracts International, Volume: 85-05, Section: A.

General Note  

Advisor: Hertzman, Marc A.;Solis, Gabriel P.

Dissertation Note  

Thesis (D.Mus.A.)--University of Illinois at Urbana-Champaign, 2021.

Restrictions on Access Note  

This item must not be sold to any third party vendors.

Restrictions on Access Note  

This item must not be added to any third party search indexes.

Summary, Etc.  

요약Beginning in the middle of the nineteenth century, Rio de Janeiro became an important hub of an emerging Black Atlantic entertainment industry. Cariocas-the people who lived in Rio de Janeiro-listened to samba in ways that challenged and produced racial categories, celebrated the creativity of Black musicians and reinforced primitivistic notions of blackness. Analyzing an extensive archive of sound and text that includes commercial recordings of music, sheet music, newspapers, and writings on music that documents the city's musical activities from 1830 to 1968, this dissertation examines how musicians, intellectuals, journalists, critics, and audiences produced such contrasting ways of listening to Black music. These contrasting ways of listening, I argue, reveal two distinct aesthetic-political projects: music as knowledge for relationship-building amidst difference, or the knowledge of musical difference as a sign of racial difference and irreconcilable alterity.Samba and other forms of Black music are produced in transnational networks and increasingly consumed through mass media, but music meaning continues to be negotiated locally and collectively. Commodified music is given life through embodied acts of music making. This dissertation focuses on the importance of local groups in shaping communities' engagement with commodified music. It examines local groups that claimed a stake in defining samba, considering how they articulated diverse representations of samba through sound, performance, and discourse and in turn, how they shaped the contested and relational nature of listening to Black music. It is through these institutions that individuals can learn to find in commodified forms of music the rich histories and experiences of Black communities across the diaspora, or the persistent legacies of race that dehumanize black subjects and reinforce racial hierarchies.

Subject Added Entry-Topical Term  

Music.

Subject Added Entry-Topical Term  

Music history.

Subject Added Entry-Topical Term  

Musical performances.

Subject Added Entry-Topical Term  

Black studies.

Index Term-Uncontrolled  

Samba

Index Term-Uncontrolled  

Race

Index Term-Uncontrolled  

Decoloniality

Index Term-Uncontrolled  

Popular music

Index Term-Uncontrolled  

Black communities

Added Entry-Corporate Name  

University of Illinois at Urbana-Champaign Music

Host Item Entry  

Dissertations Abstracts International. 85-05A.

Host Item Entry  

Dissertation Abstract International

Electronic Location and Access  

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Control Number  

joongbu:642379