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Performing, Recording, and Producing Immersive Music in Virtual Acoustics- [electronic resource]
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Performing, Recording, and Producing Immersive Music in Virtual Acoustics- [electronic resource]
자료유형  
 학위논문
Control Number  
0016934403
International Standard Book Number  
9798379946838
Dewey Decimal Classification Number  
780
Main Entry-Personal Name  
Canfield-Dafilou, Elliot Kermit.
Publication, Distribution, etc. (Imprint  
[S.l.] : Stanford University., 2021
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2021
Physical Description  
1 online resource(131 p.)
General Note  
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
General Note  
Advisor: Abel, Jonathan;Chafe, Chris;Fujioka, Takako.
Dissertation Note  
Thesis (Ph.D.)--Stanford University, 2021.
Restrictions on Access Note  
This item must not be sold to any third party vendors.
Summary, Etc.  
요약The systems that allow us to experience the auditory world in three spatial dimensions are extraordinarily complex. Humans possess a remarkable ability for identifying the distance, location, and size of a sound source with high accuracy, and these spatial auditory cues fundamentally shape the way we interact with the world. Moreover, spaces impart their own distinctive coloration to sounds occurring within their walls. This thesis explores how spatial cues affect they way we create, produce, and listen to music. We take two approaches: the first uses virtual acoustics to model and simulate the acoustics of specific spaces. We show approaches for using real-time signal processing to perform concerts, produce recordings, rehearse, and study aspects of performance practice in the virtual acoustics of spaces the performers do not physically inhabit. We demonstrate our methods using acoustic measurements of two spaces: the Hagia Sophia in Istanbul and the Chiesa di Sant'Aniceto in Rome. The second topic of this thesis is signal decorrelation, a class of algorithm used to create copies of an audio signal with a controlled amount of correlation. We show several allpass filter-based decorrelation techniques and describe methods for evaluating their performance. Overall, this thesis is about understanding how architecture, music composition, and performance practice are intertwined.
Subject Added Entry-Topical Term  
Acoustics.
Subject Added Entry-Topical Term  
Music.
Added Entry-Corporate Name  
Stanford University.
Host Item Entry  
Dissertations Abstracts International. 84-12A.
Host Item Entry  
Dissertation Abstract International
Electronic Location and Access  
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Control Number  
joongbu:642061
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