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Performing, Recording, and Producing Immersive Music in Virtual Acoustics- [electronic resource]
Performing, Recording, and Producing Immersive Music in Virtual Acoustics- [electronic resource]
- 자료유형
- 학위논문
- Control Number
- 0016934403
- International Standard Book Number
- 9798379946838
- Dewey Decimal Classification Number
- 780
- Main Entry-Personal Name
- Canfield-Dafilou, Elliot Kermit.
- Publication, Distribution, etc. (Imprint
- [S.l.] : Stanford University., 2021
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2021
- Physical Description
- 1 online resource(131 p.)
- General Note
- Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
- General Note
- Advisor: Abel, Jonathan;Chafe, Chris;Fujioka, Takako.
- Dissertation Note
- Thesis (Ph.D.)--Stanford University, 2021.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Summary, Etc.
- 요약The systems that allow us to experience the auditory world in three spatial dimensions are extraordinarily complex. Humans possess a remarkable ability for identifying the distance, location, and size of a sound source with high accuracy, and these spatial auditory cues fundamentally shape the way we interact with the world. Moreover, spaces impart their own distinctive coloration to sounds occurring within their walls. This thesis explores how spatial cues affect they way we create, produce, and listen to music. We take two approaches: the first uses virtual acoustics to model and simulate the acoustics of specific spaces. We show approaches for using real-time signal processing to perform concerts, produce recordings, rehearse, and study aspects of performance practice in the virtual acoustics of spaces the performers do not physically inhabit. We demonstrate our methods using acoustic measurements of two spaces: the Hagia Sophia in Istanbul and the Chiesa di Sant'Aniceto in Rome. The second topic of this thesis is signal decorrelation, a class of algorithm used to create copies of an audio signal with a controlled amount of correlation. We show several allpass filter-based decorrelation techniques and describe methods for evaluating their performance. Overall, this thesis is about understanding how architecture, music composition, and performance practice are intertwined.
- Subject Added Entry-Topical Term
- Acoustics.
- Subject Added Entry-Topical Term
- Music.
- Added Entry-Corporate Name
- Stanford University.
- Host Item Entry
- Dissertations Abstracts International. 84-12A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:642061
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