자료유형  

 단행본

International Standard Book Number  

9781440831904 (cloth : alk. paper)

Dewey Decimal Classification Number  

791.43-20

Main Entry-Personal Name  

Fain, Kimberly , 1974-

Publication, Distribution, etc. (Imprint  

Santa Barbara, California : Praeger, an imprint of ABC-Clio, Llc, [2015]

Physical Description  

xxi, 251 p. ; 25 cm

Bibliography, Etc. Note  

Includes bibliographical references (pages 231-238) and index.

Formatted Contents Note  

완전내용Introduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from the Jim Crow era to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era to the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: In the age of Obama's hope and change -- Conclusion.

Subject Added Entry-Topical Term  

African American men in motion pictures

Subject Added Entry-Topical Term  

Masculinity in motion pictures

Control Number  

joongbu:510632