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1
How We Became Postmodern- [electronic resource]
How We Became Postmodern- [electronic resource]
Lopez, Delano Jose.History. | The Ohio State University. | 2018
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2
(Re)Orchestrating the Musical: Postmodernism and the Electro-Acoustic Sound of Contemporary Broadway- [electronic resource]
(Re)Orchestrating the Musical: Postmodernism and the Electro-Acoustic Sound of Contemporary Broadway- [electronic resource]
Kennedy, Michael M.College-Conservatory of Music: | University of Cincinnati. | 2023
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3
Becomings: Pregnancy, Phenomenology, and Postmodern Dance.
Becomings: Pregnancy, Phenomenology, and Postmodern Dance.
Kirk, Johanna.Theater and Performance Studies 09A2 | University of California, Los Angeles. | 2021
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4
The Post-Noir Novel: Pulp Genre, Alienation, and the Turn from Postmodernism in Contemporary American Fiction
The Post-Noir Novel: Pulp Genre, Alienation, and the Turn from Postmodernism in Contemporary American Fiction
Lota, Kenneth Jude. | The University of North Carolina at Chapel Hill | 2020
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5
Implications of Noisy and Obsolete Audio Technology in 21st-Century Music.
Implications of Noisy and Obsolete Audio Technology in 21st-Century Music.
Callister, Parker.Eastman School of Music. | University of Rochester. | 2024
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6
The Absolute Body : Critical Choreographies at the End of the Skin.
The Absolute Body : Critical Choreographies at the End of the Skin.
Golomb, Sariel. | Stanford University. | 2024
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7
Who Tells the Story?: Andy Blankenbuehler's Choreography and the Ensemble Body on Broadway- [electronic resource]
Who Tells the Story?: Andy Blankenbuehler's Choreography and the Ensemble Body on Broadway- [electronic resource]
Olmstead, Amanda Jane. | University of Pittsburgh. | 2021
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8
The Uncensored Man: Leonid Tsypkin, Russian Writer and Soviet Jew (1926-1982).
The Uncensored Man: Leonid Tsypkin, Russian Writer and Soviet Jew (1926-1982).
Winestock, Brett Roark. | Stanford University. | 2020
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9
Researching First-Year Students' Lived Experiences in a University Dance Program.
Researching First-Year Students' Lived Experiences in a University Dance Program.
Grites Weeks, Lindsey R.Dance. | Temple University. | 2021
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10
Signs of Hope: Narratives, Eschatology, and Liturgical Inculturation in Deaf Catholic Worship.
Signs of Hope: Narratives, Eschatology, and Liturgical Inculturation in Deaf Catholic Worship.
Seah, Audrey Liyan.Theology. | University of Notre Dame. | 2021
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