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Forging Better Practices for Electro-Acoustic Music.
Forging Better Practices for Electro-Acoustic Music.
- 자료유형
- 학위논문
- Control Number
- 0017163685
- International Standard Book Number
- 9798383186053
- Dewey Decimal Classification Number
- 780
- Main Entry-Personal Name
- Ottmer, Jacob A.
- Publication, Distribution, etc. (Imprint
- [S.l.] : University of Cincinnati., 2024
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- Physical Description
- 89 p.
- General Note
- Source: Dissertations Abstracts International, Volume: 86-01, Section: B.
- General Note
- Advisor: Culley, James;Burge, Russell.
- Dissertation Note
- Thesis (D.M.A.)--University of Cincinnati, 2024.
- Summary, Etc.
- 요약Electronic music has a rich history dating back farther than just the 1950's. Edgard Varese is often credited with the establishment of musique concrete, though that behemoth was taking shape well before his time. After some decades of composers creating pieces using analog sound systems and synthesizers, we have reached a breaking point in performing their works. Quite often the technology has become decrepit and dysfunctional, if one can procure it at all. A method of performing these works in a manner faithful to the composer's original intent does still exist-and that is through digital signal processors like Max, developed by Cycling '74. However, even with today's practices in Max and similar programs being robust and intuitive, problems in performance still arise that can be avoided altogether by a composer or programmer with the foresight to anticipate them. This document will provide performers and composers alike the necessary tools to navigate this music and improve future music in the electro-acoustic genre. The primary function of this document is to provide a brief historical background of both this analog heritage and digital uprising, a foundational knowledge of rudimentary hardware related to these, and a broad span of case studies related to pieces in both categories and in-between which leads into a discussion of better practices on the part of a composer-programmer.
- Subject Added Entry-Topical Term
- Music.
- Subject Added Entry-Topical Term
- Musical composition.
- Subject Added Entry-Topical Term
- Acoustics.
- Subject Added Entry-Topical Term
- Musical performances.
- Index Term-Uncontrolled
- Electro-acoustic music
- Index Term-Uncontrolled
- Electronic music
- Index Term-Uncontrolled
- Live electronics
- Index Term-Uncontrolled
- Composer-programmer
- Index Term-Uncontrolled
- Performers
- Added Entry-Corporate Name
- University of Cincinnati College-Conservatory of Music: Percussion
- Host Item Entry
- Dissertations Abstracts International. 86-01B.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:658415