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The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds.
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The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds.
자료유형  
 학위논문
Control Number  
0017163691
International Standard Book Number  
9798383203668
Dewey Decimal Classification Number  
780
Main Entry-Personal Name  
Vallejo, Maria.
Publication, Distribution, etc. (Imprint  
[S.l.] : University of North Texas., 2024
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2024
Physical Description  
73 p.
General Note  
Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
General Note  
Advisor: Clardy, Mary Karen.
Dissertation Note  
Thesis (D.M.A.)--University of North Texas, 2024.
Summary, Etc.  
요약This dissertation provides a performance guide of Codigos Secretos for flute and electroacoustic sounds (2004) written by Gabriela Ortiz and commissioned by Mexican flutist Alejandro Escuer. Ortiz's compositional language reflects the influence of her teachers in Mexico and London, and the exposure to the evolving musical landscape during her formative years. Her decision to explore the electroacoustic realm stemmed from her fascination with the unlimited possibilities offered by working with a variety of acoustic sources and technological equipment that allowed her to experiment with different musical ideas, compositional processes and unique soundscapes. Codigos Secretos presents various challenges due to the absence of a preface or guide and several elements that may be unfamiliar to flutists, making it challenging or inaccessible to understand and perform the piece. The performance guide includes detailed explanations of the flute and computer scores, addresses discrepancies between different versions of the piece, and provides guidance on improvisatory sections and the execution of extended techniques. These elements enhance the performer's understanding of the piece and facilitate effective engagement and synchronization with the computer, enabling an artistic performance. The purpose of this dissertation is to inform performers and researchers about Gabriela Ortiz's compositional language, raise awareness about the diversity of Mexican music, and bring Ortiz's compositions to a broader audience, making her works more accessible.
Subject Added Entry-Topical Term  
Music.
Subject Added Entry-Topical Term  
Fine arts.
Subject Added Entry-Topical Term  
Musical performances.
Index Term-Uncontrolled  
Flute
Index Term-Uncontrolled  
Electroacoustic
Index Term-Uncontrolled  
Ortiz
Index Term-Uncontrolled  
Codigos Secretos
Index Term-Uncontrolled  
Performance guide
Added Entry-Corporate Name  
University of North Texas Division of Instrumental Studies
Host Item Entry  
Dissertations Abstracts International. 86-01A.
Electronic Location and Access  
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Control Number  
joongbu:658413
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