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The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds.
The Compositional Language of Gabriela Ortiz (B. 1964) in Codigos Secretos (2004) for Flute and Electroacoustic Sounds.
- 자료유형
- 학위논문
- Control Number
- 0017163691
- International Standard Book Number
- 9798383203668
- Dewey Decimal Classification Number
- 780
- Main Entry-Personal Name
- Vallejo, Maria.
- Publication, Distribution, etc. (Imprint
- [S.l.] : University of North Texas., 2024
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- Physical Description
- 73 p.
- General Note
- Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
- General Note
- Advisor: Clardy, Mary Karen.
- Dissertation Note
- Thesis (D.M.A.)--University of North Texas, 2024.
- Summary, Etc.
- 요약This dissertation provides a performance guide of Codigos Secretos for flute and electroacoustic sounds (2004) written by Gabriela Ortiz and commissioned by Mexican flutist Alejandro Escuer. Ortiz's compositional language reflects the influence of her teachers in Mexico and London, and the exposure to the evolving musical landscape during her formative years. Her decision to explore the electroacoustic realm stemmed from her fascination with the unlimited possibilities offered by working with a variety of acoustic sources and technological equipment that allowed her to experiment with different musical ideas, compositional processes and unique soundscapes. Codigos Secretos presents various challenges due to the absence of a preface or guide and several elements that may be unfamiliar to flutists, making it challenging or inaccessible to understand and perform the piece. The performance guide includes detailed explanations of the flute and computer scores, addresses discrepancies between different versions of the piece, and provides guidance on improvisatory sections and the execution of extended techniques. These elements enhance the performer's understanding of the piece and facilitate effective engagement and synchronization with the computer, enabling an artistic performance. The purpose of this dissertation is to inform performers and researchers about Gabriela Ortiz's compositional language, raise awareness about the diversity of Mexican music, and bring Ortiz's compositions to a broader audience, making her works more accessible.
- Subject Added Entry-Topical Term
- Music.
- Subject Added Entry-Topical Term
- Fine arts.
- Subject Added Entry-Topical Term
- Musical performances.
- Index Term-Uncontrolled
- Flute
- Index Term-Uncontrolled
- Electroacoustic
- Index Term-Uncontrolled
- Ortiz
- Index Term-Uncontrolled
- Codigos Secretos
- Index Term-Uncontrolled
- Performance guide
- Added Entry-Corporate Name
- University of North Texas Division of Instrumental Studies
- Host Item Entry
- Dissertations Abstracts International. 86-01A.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:658413