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Crafting a Shared Universe: An Interdisciplinary Poetics of Narrative.
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Crafting a Shared Universe: An Interdisciplinary Poetics of Narrative.
자료유형  
 학위논문
Control Number  
0017162233
International Standard Book Number  
9798383225929
Dewey Decimal Classification Number  
800
Main Entry-Personal Name  
Jin, Ziqi.
Publication, Distribution, etc. (Imprint  
[S.l.] : University of Washington., 2024
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2024
Physical Description  
129 p.
General Note  
Source: Dissertations Abstracts International, Volume: 86-01, Section: A.
General Note  
Advisor: Foster, Thomas.
Dissertation Note  
Thesis (Ph.D.)--University of Washington, 2024.
Summary, Etc.  
요약Both narrative theorists and practicing writers are committed to understanding the general mechanisms underlying the inventive and communicative achievements of literary art, yet there is a lack of interdisciplinary conversations between narratology and creative writing. My dissertation Crafting a Shared Universe makes a case for bringing together narratology and master writers' craft knowledge by demonstrating a) that instruction in creative writing offers independent testimony and nuanced enrichment to the foundational premises of James Phelan's rhetorical narratology, b) that this synthesis can be further empowered by cognitive humanities- such as cognitive psychology and the psychology of aesthetics-to illuminate what constitutes masterful storytelling and rhetorical communication, c) that unnatural narratology can be integrated into rhetorical, creative, and interdisciplinary practices to invigorate the bonding and reparative potentials of unnatural storytelling, d) and that rhetorical criticism can guide working writers to further hone their craft by developing a systematic understanding of shared rhetorical interactions.In putting forward an interdisciplinary practice of rhetorical criticism, I also delve into the art of giving a meaningful shape and balance to slant, rhythmic, or multilayered associations and forward subtextual instabilities to achieve bonding and reparative effects. Specifically, craft can be bonding in that it may deepen readers' empathic resonance with the world of literary imagination. Craft can also be reparative as it may subsume chaotic and blemished realities under an improved, broader vision of hope and interconnection. By the same logic, rhetorical criticism can be bonding and reparative in the sense of examining textual phenomena in relation to what writers and readers can possibly share and moving outward toward a future-oriented, broad-minded vision of what craft can possibly reform. To illustrate bonding, reparative, and unnatural storytelling, I will connect authors' creative endeavors and readers' possible shared engagement in works of fiction including We Are All Completely Beside Ourselves and Life of Pi as well as in the screenplay Anatomy of a Fall.
Subject Added Entry-Topical Term  
Literature.
Subject Added Entry-Topical Term  
English literature.
Subject Added Entry-Topical Term  
Creative writing.
Subject Added Entry-Topical Term  
British & Irish literature.
Subject Added Entry-Topical Term  
Rhetoric.
Index Term-Uncontrolled  
Cognitive humanities
Index Term-Uncontrolled  
Interdisciplinary conversations
Index Term-Uncontrolled  
Narratology
Index Term-Uncontrolled  
Rhetorical criticism
Index Term-Uncontrolled  
Storytelling
Added Entry-Corporate Name  
University of Washington English
Host Item Entry  
Dissertations Abstracts International. 86-01A.
Electronic Location and Access  
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Control Number  
joongbu:657912
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