자료유형  

 학위논문

Control Number  

0017160649

International Standard Book Number  

9798382325217

Dewey Decimal Classification Number  

780

Main Entry-Personal Name  

Wang, Yun.

Publication, Distribution, etc. (Imprint  

[S.l.] : Arizona State University., 2024

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2024

Physical Description  

65 p.

General Note  

Source: Dissertations Abstracts International, Volume: 85-11, Section: A.

General Note  

Advisor: Breslin, Cathal.

Dissertation Note  

Thesis (D.M.A.)--Arizona State University, 2024.

Summary, Etc.  

요약Ge Gan-ru (b. 1954) is considered one of the most innovative composers of his time and is referred to in The New Grove Dictionary of Music and Musicians as "China's first avant-garde composer." In 1986, Ge composed Ancient Music, a piece which employs extended piano techniques to express the composer's reimagination of ancient Chinese music.This project explores the life and music of Ge Gan-ru by providing a historical background of Ge's life as a composer during the Chinese Cultural Revolution and the changes after he came to America. In addition, a technical analysis and performance guide of Ancient Music are included, in order to discuss his individual compositional language and how he integrates Chinese musical concepts into a western contemporary compositional system.In this document, I take a close look at Ge Gan-ru's perspectives on Chinese music and the revolutionary reforms he made. Chapter One is a review of sources about Ge's life and study in China and America and a brief introduction to his Ancient Music. Chapter Two discusses why the concept of composer in the context of Western music is missing in Chinese music, as most traditional Chinese works were not created by a single person and therefore do not reflect the individual voice of one composer. This point can also be extended to explain why Chinese society has historically encouraged homogenization, including in music. Chapter Three serves as a performance guide, as well as a musical and technical analysis of Ancient Music. This will involve outlining and comparing the performance of traditional Chinese instruments with the internal piano techniques employed throughout this piece. Chapter Four is a summary of Ge's Ancient Music and his musical contributions.

Subject Added Entry-Topical Term  

Music.

Subject Added Entry-Topical Term  

Musical composition.

Subject Added Entry-Topical Term  

Music history.

Index Term-Uncontrolled  

Innovative composers

Index Term-Uncontrolled  

Chinese music

Index Term-Uncontrolled  

Ancient Music

Index Term-Uncontrolled  

Musical contributions

Index Term-Uncontrolled  

Compositional language

Added Entry-Corporate Name  

Arizona State University Music

Host Item Entry  

Dissertations Abstracts International. 85-11A.

Electronic Location and Access  

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Control Number  

joongbu:656919