자료유형  

 학위논문

Control Number  

0017163282

International Standard Book Number  

9798342710893

Dewey Decimal Classification Number  

809

Main Entry-Personal Name  

Schaffner, Constanza Maria.

Publication, Distribution, etc. (Imprint  

[S.l.] : New York University., 2024

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2024

Physical Description  

186 p.

General Note  

Source: Dissertations Abstracts International, Volume: 86-04, Section: A.

General Note  

Advisor: Merjian, Ara H.

Dissertation Note  

Thesis (Ph.D.)--New York University, 2024.

Summary, Etc.  

요약This dissertation argues that the 1960s witnessed the emergence of a form of aesthetic and political thought in Europe that took religiosity as the locus of anticapitalist resistance. It situates this emergence in the wider context of both a renewal of Marxism (with the New Left's attempt to rethink Marxism in non-economic terms, moving the revolutionary project from class struggle to the realm of culture) and a renewal of the Catholic Church (with the progressive papacy of John XXIII and the Second Vatican Council). The mode of thought examined herein may be deemed Romantic to the extent that its critique of capitalism is inspired by a nostalgia for the past-one which, in this particular case, takes sacred or religious form, understood not in transcendent or dogmatic terms but rather as a reservoir of humanist, trans-individual, and non-instrumental values. Three case studies anchor my arguments: the writing of the philosopher Ernst Bloch, the interdisciplinary oeuvre of Pier Paolo Pasolini, and the films of Robert Bresson. Examining these thinkers' development of comparably modernist, anti-naturalist conceptions of aesthetic realism, I analyze their respective radical critiques of bourgeois abstract rationality by way of a return to religiosity. In this sense, the dissertation explores the intersections between aesthetics, metaphysical and religious outlooks, and politics, arguing how each of these realms connects to and illuminates the others. To what extent may these authors' politics be considered progressive, even in their 'Romantic,' potentially regressive tendencies? This dissertation tackles this question head on while exploring these individuals' concrete political consequences for 1960s culture, particularly the dialogue between Marxism and Christianity, the emergence of the New Left, the student movement, and the birth of liberation theologies in Latin America.

Subject Added Entry-Topical Term  

Comparative literature.

Subject Added Entry-Topical Term  

Philosophy.

Subject Added Entry-Topical Term  

Film studies.

Index Term-Uncontrolled  

Aesthetic Realism

Index Term-Uncontrolled  

Ernst Bloch

Index Term-Uncontrolled  

Marxism

Index Term-Uncontrolled  

Pier Paolo Pasolini

Index Term-Uncontrolled  

Robert Bresson

Index Term-Uncontrolled  

Romantic anticapitalism

Added Entry-Corporate Name  

New York University Comparative Literature

Host Item Entry  

Dissertations Abstracts International. 86-04A.

Electronic Location and Access  

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Control Number  

joongbu:656475