자료유형  

 학위논문

Control Number  

0017160841

International Standard Book Number  

9798382262338

Dewey Decimal Classification Number  

780

Main Entry-Personal Name  

Wilkening, Anya B.

Publication, Distribution, etc. (Imprint  

[S.l.] : Columbia University., 2024

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2024

Physical Description  

333 p.

General Note  

Source: Dissertations Abstracts International, Volume: 85-10, Section: A.

General Note  

Advisor: Boynton, Susan L.

Dissertation Note  

Thesis (Ph.D.)--Columbia University, 2024.

Summary, Etc.  

요약This dissertation examines the procedure of musical borrowing, in which melodies are recycled or reworked, in the sung, vernacular poetry of the troubadours. Their usage of the practice (specifically, that of contrafacture, wherein pre-existing melodies are retexted) is attested to in poetic treatises, confirmed by a small number of examples transmitted with musical notation, and further supported by a large body of poems that share a versification structure. The paucity of extant melodies, however, has prevented scholars from fully exploring the musical implications of the technique. Through close and multidisciplinary analysis of music, text, image, and material object, this study uses intermusicality as an entry point to address larger questions about the musical practice of the Occitan poet-composers: how were songs crafted, and what is the relationship between music and text? How was this repertoire spread, and what roles did oral and notated transmission play? How would audiences have interpreted the songs of the troubadours? To that end, I examine a series of case studies drawn from Paris, Bibliotheque nationale de France, f. fr. 22543. Throughout, I characterize musical borrowing as a generative procedure used commonly by the troubadours, and foreground the connections (aural and otherwise) that arise as a consequence. As such, the dissertation offers a new way of understanding the musico-poetic practice of the troubadours, with respect to both mechanics and meaning, through the lens of a well-attested but largely-silenced compositional practice.

Subject Added Entry-Topical Term  

Music history.

Subject Added Entry-Topical Term  

Medieval literature.

Subject Added Entry-Topical Term  

Fine arts.

Subject Added Entry-Topical Term  

Music.

Index Term-Uncontrolled  

Contrafacture

Index Term-Uncontrolled  

Intertextuality

Index Term-Uncontrolled  

Medieval music

Index Term-Uncontrolled  

Musical borrowing

Index Term-Uncontrolled  

Troubadour poetry

Index Term-Uncontrolled  

Troubadour song

Added Entry-Corporate Name  

Columbia University Music

Host Item Entry  

Dissertations Abstracts International. 85-10A.

Electronic Location and Access  

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Control Number  

joongbu:656292