자료유형  

 학위논문

Control Number  

0017163907

International Standard Book Number  

9798384013631

Dewey Decimal Classification Number  

781

Main Entry-Personal Name  

Brodack, Cory.

Publication, Distribution, etc. (Imprint  

[S.l.] : University of Rochester., 2024

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2024

Physical Description  

96 p.

General Note  

Source: Dissertations Abstracts International, Volume: 86-02, Section: A.

General Note  

Includes supplementary digital materials.

General Note  

Advisor: Kuehn, Mikel;Zohn-Muldoon, Ricardo.

Dissertation Note  

Thesis (Ph.D.)--University of Rochester, 2024.

Summary, Etc.  

요약Several scholars such as Schaeffer (1966), Chion (1983), Bregman (1990), and Godoy (1997, 2017) have written about the importance of perceiving musical gesture and shape in understanding music as a listener, but some such as Wishart (1996) have rightfully illustrated the potential downfalls of trying to formalize a codex of morphological shapes for this purpose. In the realm of acoustic music, tools have been developed to deal with shape and gesture in a formalized way, but when pitch and pitch-direction start to become obscured in denser and noisier textures such as those found prominently in electroacoustic music, a different way of listening to shape and analyzing the listening experience is needed. My approach focuses on describing the listening experience through musical content and shape using spectromorphology, a tool created by Denis Smalley (1997) for this purpose. While this method can describe a possible perceptual experience for a listener, it is also a compositional tool and listening aid, which is supported using "diffusion scores" and similar verbal and visual metaphors to represent different structural levels, functions, and processes in the music. I argue this is a useful approach for describing the listening experience of Gesang der Junglinge. In this dissertation, I approach Gesang der Junglinge using the tools developed by Denis Smalley, focusing on the overall time and spectral features of sound-shapes. I base this work on gestural features of the music, continuing the work of Schaeffer (1966), Bregman (1990), Huron (2006), and Smalley (1997).

Subject Added Entry-Topical Term  

Musical composition.

Subject Added Entry-Topical Term  

Music theory.

Subject Added Entry-Topical Term  

Music.

Index Term-Uncontrolled  

Diffusion score

Index Term-Uncontrolled  

Electroacoustic music

Index Term-Uncontrolled  

Electronic music

Index Term-Uncontrolled  

Spatialization

Index Term-Uncontrolled  

Spectromorphology

Index Term-Uncontrolled  

Stockhausen

Added Entry-Corporate Name  

University of Rochester Eastman School of Music

Host Item Entry  

Dissertations Abstracts International. 86-02A.

Electronic Location and Access  

로그인을 한후 보실 수 있는 자료입니다.

Control Number  

joongbu:654647