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High School Theatre as Rehearsal for Post-Secondary Life: A Self-Reflective, Critical Case Study of White Students and Their Involvement in Theatre.
High School Theatre as Rehearsal for Post-Secondary Life: A Self-Reflective, Critical Case Study of White Students and Their Involvement in Theatre.
- 자료유형
- 학위논문
- Control Number
- 0017163221
- International Standard Book Number
- 9798384013747
- Dewey Decimal Classification Number
- 375
- Main Entry-Personal Name
- Steckbeck, Caitlyn.
- Publication, Distribution, etc. (Imprint
- [S.l.] : Indiana University., 2024
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- Physical Description
- 166 p.
- General Note
- Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
- General Note
- Advisor: Weltsek, Gustave.
- Dissertation Note
- Thesis (Ph.D.)--Indiana University, 2024.
- Summary, Etc.
- 요약When researching the field of theatre education, one can find many contemporary examples of how theatre has impacted groups of students outside of the United States or within non-White communities in the United States. Little exists, however, about the impact of Theatre Education specifically upon White students within the United States as Whiteness has been historically simply accepted as the norm instead of specifically studied. There is even less research on how theatre may inform White students' ideals of social justice. In this study I wonder how theatre may encourage White students to engage with social justice issues through the use of culturally relevant pedagogy. I also reflect on how my understanding of myself as a White woman, who strives for culturally relevant pedagogy within my classroom, influences my students' experiences within theatre (Ladson-Billings, 1995). Through this study, I asked White students how they saw themselves within theatre and social justice. I did this as a way to more fully understand how my own complex identity informed my pedagogy and how I thought that my praxis informed the students' sense of social justice. In this study, I share my work with fifteen of my current White high school students who reflected on their experiences and opinions of my theatre classes and after-school program through recorded videos centered around eight discussion questions. We then came together as a whole group to participate in a Socratic Seminar where they further shared their thoughts and opinions with each other regarding social justice and theatre.During this study, I critically reflected on my own high school theatre experiences from the predominantly Black high school from which I graduated. I compared my initial understanding of social justice in theatre from my experiences to my White students' perspectives and present-day understandings of social justice principles. I also share how those life experiences arise in my pedagogy and praxis and ultimately inform the students already critical perspectives.In conclusion, I share that even though I had authentic diverse experiences as a high school student due to my school's demographics, my current White students are more equipped to handle social justice issues compared to me when I was their age as they have stronger understandings of concepts such as White privilege, oppression, racially appropriate casting in theatre, and the importance of culturally relevant pedagogy within all classes.
- Subject Added Entry-Topical Term
- Curriculum development.
- Subject Added Entry-Topical Term
- Education.
- Subject Added Entry-Topical Term
- Theater.
- Subject Added Entry-Topical Term
- Performing arts education.
- Index Term-Uncontrolled
- Theatre education
- Index Term-Uncontrolled
- High school
- Index Term-Uncontrolled
- Self-reflective
- Index Term-Uncontrolled
- Social justice issues
- Index Term-Uncontrolled
- White students
- Added Entry-Corporate Name
- Indiana University School of Education
- Host Item Entry
- Dissertations Abstracts International. 86-02A.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:654562
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