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Cursing and Laughing: Blasphemy in Italian Renaissance Literature.
Sommaire Infos
Cursing and Laughing: Blasphemy in Italian Renaissance Literature.
자료유형  
 학위논문
Control Number  
0017162260
International Standard Book Number  
9798383164129
Dewey Decimal Classification Number  
850
Main Entry-Personal Name  
Mazzitello, Pantalea.
Publication, Distribution, etc. (Imprint  
[S.l.] : Indiana University., 2024
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2024
Physical Description  
230 p.
General Note  
Source: Dissertations Abstracts International, Volume: 85-12, Section: A.
General Note  
Advisor: Scalabrini, Massimo;Ciccarelli, Andrea.
Dissertation Note  
Thesis (Ph.D.)--Indiana University, 2024.
Summary, Etc.  
요약This project examines the controversial topic of cursing God publicly, on stage, and in social interactions by focusing on the literary representation and interpretation of blasphemy in different genres of Renaissance Italian literature. The analysis of the literary representation of figures of blasphemers and expressions of blasphemy reveals critical changes in the social and intellectual life of 16th -century Italy. During this period, intellectual elites began to prioritize being a good member of society over being a good Christian As a result of these shifts, early modern Italy retained its concerns about the religious implications of blasphemy but with a growing sensitivity to its social and behavioral implications. Society was evolving with new forms of interpersonal interactions, particularly in the context of emerging courtly and urban settings. In that context, blasphemy was not only considered reprehensible from a religious point of view, as had always been the case, but it also represented an insulting expression that did not fit into a society informed by good manners, as it was being codified in the 16th century, where "courtesy" and "gentleness in speech" were gaining crucial relevance in social interactions. Furthermore, this project uncovers humoristic and secular dimensions in the use of blasphemous utterances, a facet often overlooked in traditional scholarship focused solely on historical documentation. 16th -century Italian literature portrays a culture in which blasphemous language was employed to trivialize the divine with the intention of shocking and disrupting, where the 'shock' could also induce laughter by surprising the audience with an uncommon and unexpected juxtaposition of sacred and profane terms, and the 'disruption' primarily acted to the detriment of social and civil interactions. Ultimately, this dissertation analyzes blasphemy in literary texts to offer a deeper and more nuanced understanding of the value system underpinning social interactions and cultural and religious sensibilities in 16th - century Italy.
Subject Added Entry-Topical Term  
Italian literature.
Subject Added Entry-Topical Term  
Theology.
Subject Added Entry-Topical Term  
Religious history.
Index Term-Uncontrolled  
Blasphemy
Index Term-Uncontrolled  
Cursing
Index Term-Uncontrolled  
Humor
Index Term-Uncontrolled  
Laughter
Index Term-Uncontrolled  
Renaissance literature
Added Entry-Corporate Name  
Indiana University Italian
Host Item Entry  
Dissertations Abstracts International. 85-12A.
Electronic Location and Access  
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Control Number  
joongbu:653833
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