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A Mixed Methods Investigation of Audiation-Based Teaching in Beginning Bands.
A Mixed Methods Investigation of Audiation-Based Teaching in Beginning Bands.
- 자료유형
- 학위논문
- Control Number
- 0017160783
- International Standard Book Number
- 9798382202457
- Dewey Decimal Classification Number
- 780.7
- Main Entry-Personal Name
- Cole, Stephanie Danae.
- Publication, Distribution, etc. (Imprint
- [S.l.] : Boston University., 2024
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2024
- Physical Description
- 241 p.
- General Note
- Source: Dissertations Abstracts International, Volume: 85-10, Section: A.
- General Note
- Advisor: Randles, Clint A.
- Dissertation Note
- Thesis (D.M.A.)--Boston University, 2024.
- Summary, Etc.
- 요약Beginning band directors appear to prioritize notation-based practices in their programs and rehearsals despite cognitive research indicating the necessity of audiation for musical comprehension and success. During rehearsals, directors oversee musical success and cognition suggesting the potentiality to improve upon traditional forms of teaching in order to prioritize audiation and encourage its systematic improvement.Using Edwin Gordon's work on audiation and applications from cognitive research as my theoretical framework, I surveyed, observed, and interviewed beginning band directors regarding their prioritization of audiation during rehearsals. In this mixed methods study in which I used an explanatory sequential, multiple case study design, beginning band directors from select institutions and Gordon Institute of Music Learning certificate holders (N = 20) were asked to complete an online survey answering Likert-scaled and open-ended questions regarding rehearsal activities and students' musical success. After survey completion, each volunteer director (n = 4) was observed twice, interviewed individually, and interviewed collectively in a focus group. Following the transcription of observations and interviews, open-ended survey responses, observations, and interviews were coded and major themes generated.Three implications for band directors and music educators included, first, valuing an unlimited pedagogy with a de-emphasis on decoding and repertoire and a reemphasis on ear playing and informal learning. Second, preparatory experiences are important for comprehensive success in beginning instrumental study. Third, a beginning band curriculum that is intentionally seeking to create comprehensive musicianship among beginners may be best achieved by balancing traditional pedagogy, Music Learning Theory, and informal music learning approaches. Future research might examine directors' teaching inclusions and pedagogy over a more extensive period of time or as a single case study. Future research could also document audiation instruction from the student perspective.
- Subject Added Entry-Topical Term
- Music education.
- Subject Added Entry-Topical Term
- Fine arts.
- Subject Added Entry-Topical Term
- Performing arts education.
- Subject Added Entry-Topical Term
- Pedagogy.
- Subject Added Entry-Topical Term
- Music theory.
- Index Term-Uncontrolled
- Audiation
- Index Term-Uncontrolled
- Beginning band directors
- Index Term-Uncontrolled
- Gordon, Edwin
- Index Term-Uncontrolled
- Informal music learning
- Index Term-Uncontrolled
- Rehearsal activities
- Added Entry-Corporate Name
- Boston University Music Education CFA
- Host Item Entry
- Dissertations Abstracts International. 85-10A.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:653787