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Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion With Performance Suggestions About Extended Techniques- [electronic resource]
Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion With Performance Suggestions About Extended Techniques- [electronic resource]
- 자료유형
- 학위논문
- Control Number
- 0016935166
- International Standard Book Number
- 9798380070829
- Dewey Decimal Classification Number
- 780
- Main Entry-Personal Name
- Yoon, Hyunsu.
- Publication, Distribution, etc. (Imprint
- [S.l.] : University of North Texas., 2023
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2023
- Physical Description
- 1 online resource(55 p.)
- General Note
- Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
- General Note
- Advisor: Clardy, Mary Karen.
- Dissertation Note
- Thesis (D.M.A.)--University of North Texas, 2023.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Restrictions on Access Note
- This item must not be added to any third party search indexes.
- Summary, Etc.
- 요약This dissertation serves as an analysis and performance guide for No-Re I for Flute Solo (2018) by Gyu-Bong Yi ( 이 이 ), a work that combines Korean elements and Western compositional techniques. The modern flute, developed in the mid-nineteenth century with the Boehm's Schema, has pushed the boundaries of the instrument through experimentation with new techniques, leading to numerous contemporary works presenting unique challenges for flutists. No-Re I includes passages with various extended techniques and unique combinations, requiring specific solutions to overcome the challenges they present. For example, this dissertation offers specific fingering diagrams and descriptions for executing the double trills used in No-Re I. Additionally, certain notations used by the composer may have limitations in projection or clarity, and this dissertation elucidates the composer's intent based on an interview and provides solutions for these limitations. This research also discusses the fusion of Korean and other East-Asian aesthetics with Western musical language including the works of Isang Yun (1917-1995), a Korean-born musical pioneer, who had a successful career as a composer and educator, especially elaborating on his unique compositional technique, the Haupttone, which is based on tonal centers influenced by East-Asian philosophy, Korean folk music, and its unique characteristic of ornamenting the main tone.
- Subject Added Entry-Topical Term
- Music.
- Subject Added Entry-Topical Term
- Musical composition.
- Subject Added Entry-Topical Term
- Musical performances.
- Index Term-Uncontrolled
- Extended techniques
- Index Term-Uncontrolled
- Double trills
- Index Term-Uncontrolled
- Haupttone
- Index Term-Uncontrolled
- Korean
- Index Term-Uncontrolled
- Western language
- Added Entry-Corporate Name
- University of North Texas Division of Instrumental Studies
- Host Item Entry
- Dissertations Abstracts International. 85-02A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:643877