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Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion With Performance Suggestions About Extended Techniques- [electronic resource]
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Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion With Performance Suggestions About Extended Techniques- [electronic resource]
자료유형  
 학위논문
Control Number  
0016935166
International Standard Book Number  
9798380070829
Dewey Decimal Classification Number  
780
Main Entry-Personal Name  
Yoon, Hyunsu.
Publication, Distribution, etc. (Imprint  
[S.l.] : University of North Texas., 2023
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2023
Physical Description  
1 online resource(55 p.)
General Note  
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
General Note  
Advisor: Clardy, Mary Karen.
Dissertation Note  
Thesis (D.M.A.)--University of North Texas, 2023.
Restrictions on Access Note  
This item must not be sold to any third party vendors.
Restrictions on Access Note  
This item must not be added to any third party search indexes.
Summary, Etc.  
요약This dissertation serves as an analysis and performance guide for No-Re I for Flute Solo (2018) by Gyu-Bong Yi ( 이 이 ), a work that combines Korean elements and Western compositional techniques. The modern flute, developed in the mid-nineteenth century with the Boehm's Schema, has pushed the boundaries of the instrument through experimentation with new techniques, leading to numerous contemporary works presenting unique challenges for flutists. No-Re I includes passages with various extended techniques and unique combinations, requiring specific solutions to overcome the challenges they present. For example, this dissertation offers specific fingering diagrams and descriptions for executing the double trills used in No-Re I. Additionally, certain notations used by the composer may have limitations in projection or clarity, and this dissertation elucidates the composer's intent based on an interview and provides solutions for these limitations. This research also discusses the fusion of Korean and other East-Asian aesthetics with Western musical language including the works of Isang Yun (1917-1995), a Korean-born musical pioneer, who had a successful career as a composer and educator, especially elaborating on his unique compositional technique, the Haupttone, which is based on tonal centers influenced by East-Asian philosophy, Korean folk music, and its unique characteristic of ornamenting the main tone.
Subject Added Entry-Topical Term  
Music.
Subject Added Entry-Topical Term  
Musical composition.
Subject Added Entry-Topical Term  
Musical performances.
Index Term-Uncontrolled  
Extended techniques
Index Term-Uncontrolled  
Double trills
Index Term-Uncontrolled  
Haupttone
Index Term-Uncontrolled  
Korean
Index Term-Uncontrolled  
Western language
Added Entry-Corporate Name  
University of North Texas Division of Instrumental Studies
Host Item Entry  
Dissertations Abstracts International. 85-02A.
Host Item Entry  
Dissertation Abstract International
Electronic Location and Access  
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Control Number  
joongbu:643877
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TQ0029782 T   원문자료 열람가능/출력가능 열람가능/출력가능
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