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Te, Joseph, Celebrent: An Examination and Guide to Manuel De Sumaya's Works for the Feast of St. Joseph at the Cathedral of Mexico City, 1714-1715- [electronic resource]
Te, Joseph, Celebrent: An Examination and Guide to Manuel De Sumaya's Works for the Feast of St. Joseph at the Cathedral of Mexico City, 1714-1715- [electronic resource]
상세정보
- 자료유형
- 학위논문
- Control Number
- 0016935868
- International Standard Book Number
- 9798380847261
- Dewey Decimal Classification Number
- 780
- Main Entry-Personal Name
- Mason, Christopher.
- Publication, Distribution, etc. (Imprint
- [S.l.] : University of Illinois at Urbana-Champaign., 2021
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2021
- Physical Description
- 1 online resource(153 p.)
- General Note
- Source: Dissertations Abstracts International, Volume: 85-05, Section: A.
- General Note
- Advisor: Megill, Andrew.
- Dissertation Note
- Thesis (D.Mus.A.)--University of Illinois at Urbana-Champaign, 2021.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Restrictions on Access Note
- This item must not be added to any third party search indexes.
- Summary, Etc.
- 요약This dissertation examines three Latin pieces written by Manuel de Sumaya for the celebration of the Feast of Saint Joseph (March 19th) at the Cathedral of Mexico City. It looks at his Mass, motet, and hymn through a Spanish and Novohispanic lens in order to situate Sumaya's music making in its national and viceregal music context. The music is unpublished, un-transcribed, or otherwise difficult to find in performance editions, so it has previously seen very little scholarly attention. The dissertation includes a study of celebratory prescriptions for the feast at the Cathedral of Mexico City as described in primary source documents such as the Chapter Minutes (Actas de cabildo) and Diario Manual (a Mexico City Cathedral ordinal). It describes the relationships between text, texture, and harmony in understanding Sumaya's compositional style. Finally, it offers historically informed performance practice suggestions on the topics of eighteenth century Novohispanic diction, pitch and transposition, composition of the music chapel, consequences of the dissertation's examination of local practices and analytical exploration, and uses these to make suggestions for concert programming. Appendices to this document include a modern edition of verse five of the hymn Te, Joseph, celebrent, "Nobis summa Trias," as well as a translation of the Diario Manual for the Feast of Saint Joseph and its related financial donations. I conclude that these works (most specifically the Mass) are a case study of the occupational pressures and rigor expected of the newly minted composer-priest in the first few years of adult employment at the Cathedral of Mexico City as he maneuvers for occupational advancement. More generally, this dissertation is a resource for understanding and performing music by Sumaya and his Latin American contemporaries.
- Subject Added Entry-Topical Term
- Music.
- Subject Added Entry-Topical Term
- Music history.
- Subject Added Entry-Topical Term
- Musical composition.
- Subject Added Entry-Topical Term
- Performing arts.
- Subject Added Entry-Topical Term
- Musical performances.
- Index Term-Uncontrolled
- Manuel de Sumaya
- Index Term-Uncontrolled
- Saint Joseph
- Index Term-Uncontrolled
- Choral music
- Index Term-Uncontrolled
- Mexico City Cathedral
- Index Term-Uncontrolled
- Performance practice
- Index Term-Uncontrolled
- Diario Manual
- Index Term-Uncontrolled
- Basso continuo
- Index Term-Uncontrolled
- High clefs
- Index Term-Uncontrolled
- Chiavette
- Index Term-Uncontrolled
- Vocal forces
- Index Term-Uncontrolled
- Endowment
- Added Entry-Corporate Name
- University of Illinois at Urbana-Champaign Music
- Host Item Entry
- Dissertations Abstracts International. 85-05A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:641876
MARC
008240221s2021 ulk 00 kor■001000016935868
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■007cr#unu||||||||
■020 ▼a9798380847261
■035 ▼a(MiAaPQ)AAI30950378
■035 ▼a(MiAaPQ)httphdlhandlenet2142110514
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a780
■1001 ▼aMason, Christopher.
■24510▼aTe, Joseph, Celebrent: An Examination and Guide to Manuel De Sumaya's Works for the Feast of St. Joseph at the Cathedral of Mexico City, 1714-1715▼h[electronic resource]
■260 ▼a[S.l.]▼bUniversity of Illinois at Urbana-Champaign. ▼c2021
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2021
■300 ▼a1 online resource(153 p.)
■500 ▼aSource: Dissertations Abstracts International, Volume: 85-05, Section: A.
■500 ▼aAdvisor: Megill, Andrew.
■5021 ▼aThesis (D.Mus.A.)--University of Illinois at Urbana-Champaign, 2021.
■506 ▼aThis item must not be sold to any third party vendors.
■506 ▼aThis item must not be added to any third party search indexes.
■520 ▼aThis dissertation examines three Latin pieces written by Manuel de Sumaya for the celebration of the Feast of Saint Joseph (March 19th) at the Cathedral of Mexico City. It looks at his Mass, motet, and hymn through a Spanish and Novohispanic lens in order to situate Sumaya's music making in its national and viceregal music context. The music is unpublished, un-transcribed, or otherwise difficult to find in performance editions, so it has previously seen very little scholarly attention. The dissertation includes a study of celebratory prescriptions for the feast at the Cathedral of Mexico City as described in primary source documents such as the Chapter Minutes (Actas de cabildo) and Diario Manual (a Mexico City Cathedral ordinal). It describes the relationships between text, texture, and harmony in understanding Sumaya's compositional style. Finally, it offers historically informed performance practice suggestions on the topics of eighteenth century Novohispanic diction, pitch and transposition, composition of the music chapel, consequences of the dissertation's examination of local practices and analytical exploration, and uses these to make suggestions for concert programming. Appendices to this document include a modern edition of verse five of the hymn Te, Joseph, celebrent, "Nobis summa Trias," as well as a translation of the Diario Manual for the Feast of Saint Joseph and its related financial donations. I conclude that these works (most specifically the Mass) are a case study of the occupational pressures and rigor expected of the newly minted composer-priest in the first few years of adult employment at the Cathedral of Mexico City as he maneuvers for occupational advancement. More generally, this dissertation is a resource for understanding and performing music by Sumaya and his Latin American contemporaries.
■590 ▼aSchool code: 0090.
■650 4▼aMusic.
■650 4▼aMusic history.
■650 4▼aMusical composition.
■650 4▼aPerforming arts.
■650 4▼aMusical performances.
■653 ▼aManuel de Sumaya
■653 ▼aSaint Joseph
■653 ▼aChoral music
■653 ▼aMexico City Cathedral
■653 ▼aPerformance practice
■653 ▼aDiario Manual
■653 ▼aBasso continuo
■653 ▼aHigh clefs
■653 ▼aChiavette
■653 ▼aVocal forces
■653 ▼aEndowment
■690 ▼a0413
■690 ▼a0214
■690 ▼a0641
■690 ▼a0943
■690 ▼a0208
■71020▼aUniversity of Illinois at Urbana-Champaign▼bMusic.
■7730 ▼tDissertations Abstracts International▼g85-05A.
■773 ▼tDissertation Abstract International
■790 ▼a0090
■791 ▼aD.Mus.A.
■792 ▼a2021
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16935868▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
■980 ▼a202402▼f2024
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