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Te, Joseph, Celebrent: An Examination and Guide to Manuel De Sumaya's Works for the Feast of St. Joseph at the Cathedral of Mexico City, 1714-1715- [electronic resource]
Te, Joseph, Celebrent: An Examination and Guide to Manuel De Sumaya's Works for the Feast of St. Joseph at the Cathedral of Mexico City, 1714-1715- [electronic resource]

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자료유형  
 학위논문
Control Number  
0016935868
International Standard Book Number  
9798380847261
Dewey Decimal Classification Number  
780
Main Entry-Personal Name  
Mason, Christopher.
Publication, Distribution, etc. (Imprint  
[S.l.] : University of Illinois at Urbana-Champaign., 2021
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2021
Physical Description  
1 online resource(153 p.)
General Note  
Source: Dissertations Abstracts International, Volume: 85-05, Section: A.
General Note  
Advisor: Megill, Andrew.
Dissertation Note  
Thesis (D.Mus.A.)--University of Illinois at Urbana-Champaign, 2021.
Restrictions on Access Note  
This item must not be sold to any third party vendors.
Restrictions on Access Note  
This item must not be added to any third party search indexes.
Summary, Etc.  
요약This dissertation examines three Latin pieces written by Manuel de Sumaya for the celebration of the Feast of Saint Joseph (March 19th) at the Cathedral of Mexico City. It looks at his Mass, motet, and hymn through a Spanish and Novohispanic lens in order to situate Sumaya's music making in its national and viceregal music context. The music is unpublished, un-transcribed, or otherwise difficult to find in performance editions, so it has previously seen very little scholarly attention. The dissertation includes a study of celebratory prescriptions for the feast at the Cathedral of Mexico City as described in primary source documents such as the Chapter Minutes (Actas de cabildo) and Diario Manual (a Mexico City Cathedral ordinal). It describes the relationships between text, texture, and harmony in understanding Sumaya's compositional style. Finally, it offers historically informed performance practice suggestions on the topics of eighteenth century Novohispanic diction, pitch and transposition, composition of the music chapel, consequences of the dissertation's examination of local practices and analytical exploration, and uses these to make suggestions for concert programming. Appendices to this document include a modern edition of verse five of the hymn Te, Joseph, celebrent, "Nobis summa Trias," as well as a translation of the Diario Manual for the Feast of Saint Joseph and its related financial donations. I conclude that these works (most specifically the Mass) are a case study of the occupational pressures and rigor expected of the newly minted composer-priest in the first few years of adult employment at the Cathedral of Mexico City as he maneuvers for occupational advancement. More generally, this dissertation is a resource for understanding and performing music by Sumaya and his Latin American contemporaries.
Subject Added Entry-Topical Term  
Music.
Subject Added Entry-Topical Term  
Music history.
Subject Added Entry-Topical Term  
Musical composition.
Subject Added Entry-Topical Term  
Performing arts.
Subject Added Entry-Topical Term  
Musical performances.
Index Term-Uncontrolled  
Manuel de Sumaya
Index Term-Uncontrolled  
Saint Joseph
Index Term-Uncontrolled  
Choral music
Index Term-Uncontrolled  
Mexico City Cathedral
Index Term-Uncontrolled  
Performance practice
Index Term-Uncontrolled  
Diario Manual
Index Term-Uncontrolled  
Basso continuo
Index Term-Uncontrolled  
High clefs
Index Term-Uncontrolled  
Chiavette
Index Term-Uncontrolled  
Vocal forces
Index Term-Uncontrolled  
Endowment
Added Entry-Corporate Name  
University of Illinois at Urbana-Champaign Music
Host Item Entry  
Dissertations Abstracts International. 85-05A.
Host Item Entry  
Dissertation Abstract International
Electronic Location and Access  
로그인을 한후 보실 수 있는 자료입니다.
Control Number  
joongbu:641876

MARC

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■1001  ▼aMason,  Christopher.
■24510▼aTe,  Joseph,  Celebrent:  An  Examination  and  Guide  to  Manuel  De  Sumaya's  Works  for  the  Feast  of  St.  Joseph  at  the  Cathedral  of  Mexico  City,  1714-1715▼h[electronic  resource]
■260    ▼a[S.l.]▼bUniversity  of  Illinois  at  Urbana-Champaign.  ▼c2021
■260  1▼aAnn  Arbor▼bProQuest  Dissertations  &  Theses▼c2021
■300    ▼a1  online  resource(153  p.)
■500    ▼aSource:  Dissertations  Abstracts  International,  Volume:  85-05,  Section:  A.
■500    ▼aAdvisor:  Megill,  Andrew.
■5021  ▼aThesis  (D.Mus.A.)--University  of  Illinois  at  Urbana-Champaign,  2021.
■506    ▼aThis  item  must  not  be  sold  to  any  third  party  vendors.
■506    ▼aThis  item  must  not  be  added  to  any  third  party  search  indexes.
■520    ▼aThis  dissertation  examines  three  Latin  pieces  written  by  Manuel  de  Sumaya  for  the  celebration  of  the  Feast  of  Saint  Joseph  (March  19th)  at  the  Cathedral  of  Mexico  City.  It  looks  at  his  Mass,  motet,  and  hymn  through  a  Spanish  and  Novohispanic  lens  in  order  to  situate  Sumaya's  music  making  in  its  national  and  viceregal  music  context.  The  music  is  unpublished,  un-transcribed,  or  otherwise  difficult  to  find  in  performance  editions,  so  it  has  previously  seen  very  little  scholarly  attention.  The  dissertation  includes  a  study  of  celebratory  prescriptions  for  the  feast  at  the  Cathedral  of  Mexico  City  as  described  in  primary  source  documents  such  as  the  Chapter  Minutes  (Actas  de  cabildo)  and  Diario  Manual  (a  Mexico  City  Cathedral  ordinal).  It  describes  the  relationships  between  text,  texture,  and  harmony  in  understanding  Sumaya's  compositional  style.  Finally,  it  offers  historically  informed  performance  practice  suggestions  on  the  topics  of  eighteenth  century  Novohispanic  diction,  pitch  and  transposition,  composition  of  the  music  chapel,  consequences  of  the  dissertation's  examination  of  local  practices  and  analytical  exploration,  and  uses  these  to  make  suggestions  for  concert  programming.  Appendices  to  this  document  include  a  modern  edition  of  verse  five  of  the  hymn  Te,  Joseph,  celebrent,  "Nobis  summa  Trias,"  as  well  as  a  translation  of  the  Diario  Manual  for  the  Feast  of  Saint  Joseph  and  its  related  financial  donations.  I  conclude  that  these  works  (most  specifically  the  Mass)  are  a  case  study  of  the  occupational  pressures  and  rigor  expected  of  the  newly  minted  composer-priest  in  the  first  few  years  of  adult  employment  at  the  Cathedral  of  Mexico  City  as  he  maneuvers  for  occupational  advancement.  More  generally,  this  dissertation  is  a  resource  for  understanding  and  performing  music  by  Sumaya  and  his  Latin  American  contemporaries.
■590    ▼aSchool  code:  0090.
■650  4▼aMusic.
■650  4▼aMusic  history.
■650  4▼aMusical  composition.
■650  4▼aPerforming  arts.
■650  4▼aMusical  performances.
■653    ▼aManuel  de  Sumaya
■653    ▼aSaint  Joseph
■653    ▼aChoral  music
■653    ▼aMexico  City  Cathedral
■653    ▼aPerformance  practice
■653    ▼aDiario  Manual
■653    ▼aBasso  continuo
■653    ▼aHigh  clefs
■653    ▼aChiavette
■653    ▼aVocal  forces
■653    ▼aEndowment
■690    ▼a0413
■690    ▼a0214
■690    ▼a0641
■690    ▼a0943
■690    ▼a0208
■71020▼aUniversity  of  Illinois  at  Urbana-Champaign▼bMusic.
■7730  ▼tDissertations  Abstracts  International▼g85-05A.
■773    ▼tDissertation  Abstract  International
■790    ▼a0090
■791    ▼aD.Mus.A.
■792    ▼a2021
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16935868▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.
■980    ▼a202402▼f2024

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