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Three Dissertation Recitals and Document- [electronic resource]
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Three Dissertation Recitals and Document- [electronic resource]
자료유형  
 학위논문
Control Number  
0016935862
International Standard Book Number  
9798380847025
Dewey Decimal Classification Number  
780
Main Entry-Personal Name  
Lei, Zoe Kai Wai.
Publication, Distribution, etc. (Imprint  
[S.l.] : University of Michigan., 2023
Publication, Distribution, etc. (Imprint  
Ann Arbor : ProQuest Dissertations & Theses, 2023
Physical Description  
1 online resource(9 p.)
General Note  
Source: Dissertations Abstracts International, Volume: 85-05, Section: A.
General Note  
Advisor: Keller, Nicole;Ng, Tiffany.
Dissertation Note  
Thesis (D.Mus.A.)--University of Michigan, 2023.
Restrictions on Access Note  
This item must not be sold to any third party vendors.
Restrictions on Access Note  
This item must not be added to any third party search indexes.
Summary, Etc.  
요약The dissertation consisted of three recitals and a document. The first recital featured organ music by 17th- to 20th-century composers from various countries. The second recital included carillon music by Western and East Asian composers. The third recital consisted of organ transcriptions and organ music on East Asian themes.First Dissertation Recital: live performance on January 18, 2023, at 8 pm. Frieze Memorial Organ, Hill Auditorium, E. M. Skinner/AEolian-Skinner, 124 ranks, four manuals. "Kyrie" from Livre d'orgue, Nicolas de Grigny (1672-1703); Praeludium in A Minor, BuxWV 158, Dieterich Buxtehude (1637-1707); Trio Sonata No. 6, BWV 530, Johann Sebastian Bach (1685- 1750); "Allein Gott in der Hoh sei Her," BWV 676, Bach; "Innig" from 6 Studien in kanonischer Form, No. 4, Op. 56, Robert Schumann (1810-1856); III. Andante espressivo from Organ Sonata, No. 1, Op. 28, Edward Elgar (1857-1934); III. Allegro deciso from Evocation, Op. 37, Marcel Dupre (1886-1971).Second Dissertation Recital: live performance on February 1, 2023, at 5:30 pm. The Ann & Robert H. Lurie Carillon at Lurie Tower, 60 bells. "Alishan De Gu Niang" (阿里山的姑娘), Taiwanese Folk Song, Zhe Zhang, arr. Deanna Shih; "Enigmatic," Fung Lam (林丰) (b. 1979); "Haru no Umi" (春の海), Michio Miyaghi (宮城道雄) (1894-1956), arr. Hisako Konno (今野 久子); "Ari Ari" (아리아리) (2018), Hyowon Woo (우효원) (b. 1974); "Venetian Gondolier's Song" from Song Without Words, No. 6, Op. 11, Felix Mendelssohn (1809-1847), arr. Don Cook; "Allegretto" and "Little Melody," Florence Price (1887-1953), arr. Tiffany Ng; "What Sweeter Music,"(1988) John Rutter (b. 1945), arr. Austin Ferguson; "Che si puo fare" from Opus 8, Ariette a voce sola (1664), Barbara Strozzi (1619-1677), arr. Jennifer Lory-Moran; "Andantino sostenuto" from Sonata Fervida (2009), Geert D'hollander (b. 1965); "Reflexies" (1975), Jacques Maassen (1947-2013); "Prelude for Bells (On the Scale of "Do")" (1934), Gladys Watkins (1884-1939); "O come, all ye faithful" (Adeste Fideles) and "Blessing and honor and glory and power" (O Quanta Qualia) from Hymn Preludes for the Kirk (2011), D'hollander; "This Little Light of Mine," Harry Dixon Loes (1892-1965), arr. Tiffany Ng.Third Dissertation Recital: live performance on May 8, 2023, at 2 pm. Hill Auditorium. "Pavane Pour Une Infante Defunte," Maurice Ravel (1875-1937); "The Christmas Tree" and "March" from Nutcracker, Pyotr Ilyich Tchaikovsky (1840-1893), transcr. Aaron Tan; Three Taiwanese Folksongs, Chelsea Chen (b. 1983); Sound of Heritage (world premiere), Alfred Wong; Overture from Tannhauser, Richard Wagner (1813-1883), transcr. Edwin H. Lemare; "La Nuit" from Trois Impressions, Op. 72, Sigfrid Karg-Elert (1877-1933); Toccata, Op. 11, Sergei Prokofiev (1891-1953), transcr. Jean Guillou.The document is an examination of traditional folk tunes and cultural concepts in selected East Asian (Hong Kong, Taiwan, Japan, and South Korea) contemporary music for organ and carillon. I explore how cultural concepts, including Confucianism and folk tunes, are used in selected contemporary Asian compositions through theoretical analysis and descriptions. My study shows that, in general, composers use Western compositional techniques to incorporate East Asian folk tunes into their compositions; only Adrian Tien's (1973-2018) carillon compositions included cultural concepts.
Subject Added Entry-Topical Term  
Music.
Subject Added Entry-Topical Term  
Asian studies.
Subject Added Entry-Topical Term  
Musical performances.
Subject Added Entry-Topical Term  
Musical composition.
Subject Added Entry-Topical Term  
East Asian studies.
Index Term-Uncontrolled  
East Asian composers
Index Term-Uncontrolled  
Folk tunes
Index Term-Uncontrolled  
Western compositional techniques
Index Term-Uncontrolled  
Confucianism
Index Term-Uncontrolled  
Carillon music
Added Entry-Corporate Name  
University of Michigan Music: Performance
Host Item Entry  
Dissertations Abstracts International. 85-05A.
Host Item Entry  
Dissertation Abstract International
Electronic Location and Access  
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Control Number  
joongbu:641873
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