자료유형  

 학위논문

Control Number  

0016934813

International Standard Book Number  

9798380369848

Dewey Decimal Classification Number  

709

Main Entry-Personal Name  

Soriano, Jon Ryan C.

Publication, Distribution, etc. (Imprint  

[S.l.] : University of California, Berkeley., 2023

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2023

Physical Description  

1 online resource(165 p.)

General Note  

Source: Dissertations Abstracts International, Volume: 85-03, Section: A.

General Note  

Advisor: Berger, Patricia.

Dissertation Note  

Thesis (Ph.D.)--University of California, Berkeley, 2023.

Restrictions on Access Note  

This item must not be sold to any third party vendors.

Summary, Etc.  

요약This dissertation is an art historical analysis of a set of objects related to a ritual corpus of Tibetan Buddhism known as the Kalacakra tantra. Objects are tracked according to distinct socio-cultural conditions, each of which developed into differing interests regarding the Kalacakra tantra, interests distinct from the purposive and functional norms of Tantric Buddhism itself. The dissertation thus attempts a somewhat different methodology from other historical narratives regarding Buddhist art by moving beyond iconographic interpretation to analysis of how a common iconographical matrix is serially adapted into divergent forms and functions across distinct social formations in time and space. Field research and embodied analysis are prioritized.Individual chapters attempt to isolate individuals and social formations for focused analysis. The introduction covers some background by focusing on the earlier, established dissemination of the Kalacakra tantra during and immediately after Yuan dynasty patronage of the tantra following the thirteenth century. This patronage was borne out by art from the Sa-skya sect of Tibetan Buddhism, in which Kalacakra imagery was subsumed into standardized ritual practices. This chapter also introduces common themes linking the subsequent parts of the dissertation, such as the sacrality and iconic presence common to works of Buddhist art. The second chapter focuses on how the seventeenth century Ganden Phodrang of the Geluk sect in central Tibet attempted to standardize Kalacakra imagery. A guidebook produced by the regime was an assertion of secular control bound to the the position of regent. The third chapter discusses the invention of a Kalacakra Hall for the Qing imperial capital in Beijing, and how the this hall reflected the multi-ethnic and identity-based values that the Qing court used to assert its power through the hall. The fourth chapter discusses the eighteenth century development of Labrang Monastery and its Kalacakra Hall. The large, relatively autonomous Tibetan Buddhist monastery in Amdo, in a region in halfway between central Tibet and the Qing capital Beijing, defined its hall in terms of its local population. A brief conclusion reconsiders the totality of works.

Subject Added Entry-Topical Term  

Art history.

Subject Added Entry-Topical Term  

Asian history.

Subject Added Entry-Topical Term  

Religious history.

Index Term-Uncontrolled  

Buddhist art

Index Term-Uncontrolled  

Kalacakra

Index Term-Uncontrolled  

Qing

Index Term-Uncontrolled  

Tibetan Buddhism

Index Term-Uncontrolled  

Identity-based values

Added Entry-Corporate Name  

University of California, Berkeley History of Art

Host Item Entry  

Dissertations Abstracts International. 85-03A.

Host Item Entry  

Dissertation Abstract International

Electronic Location and Access  

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Control Number  

joongbu:640980