서브메뉴
검색
The Oscillation of Things a Composition Portfolio- [electronic resource]
The Oscillation of Things a Composition Portfolio- [electronic resource]
상세정보
- 자료유형
- 학위논문
- Control Number
- 0016932083
- International Standard Book Number
- 9798379615925
- Dewey Decimal Classification Number
- 781
- Main Entry-Personal Name
- Troiani, Lorenzo.
- Publication, Distribution, etc. (Imprint
- [S.l.] : Harvard University., 2023
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2023
- Physical Description
- 1 online resource(155 p.)
- General Note
- Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
- General Note
- Includes supplementary digital materials.
- General Note
- Advisor: Czernowin, Chaya;Tutschku, Hans.
- Dissertation Note
- Thesis (Ph.D.)--Harvard University, 2023.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Summary, Etc.
- 요약This portfolio dissertation brings together a selection of the musical work I produced over the course of five years (2018-2023). During this time I had the chance to compose for different instrumentations and contexts: from solo instrument, to opera, from chamber music to electronic music. The reflection and work on these pieces of music lead me to expand my interests and my aesthetics, approaching a new world of sonic possibilities. At the beginning of my doctoral research, in fact, I was mostly focused on the representation of the inner world, a very intimate approach to sound, vibrations, pulsations. In other words, I was interested in music composition as a tool to magnify the secluded sound world hidden inside my body. The world outside was, at this stage, just a mere representation of the inner world. During my Ph.D., the core of my research shifted gradually from the inside world to the outside world, questioning the role of the composer and of the reality in front of me along the way. During this five years period, in fact, my attention and interest focused more and more on the close observation and deep listening of natural and acoustic phenomena. Music composition became a tool to freeze time and magnify the reality in front of me, in order to understand it better, to learn its structure, and to see all the small details and differentiations on its surface. Following this process and thanks to this close observation (and "deep listening") I started to look at things in a different way: they felt alive, pulsating and oscillating in front of my very eyes. The discovery of this instability hidden within every phenomenon reshaped my aesthetics and my approach to music composition.The eight scores included represent the range of approaches, the various steps within this gradual shift. They can be seen and analyzed as part of a journey, various stops of a path. My approach to each new work of music, in fact, moves from the ruins of the previous one and carries on the reflection started there. In this way I can tackle the same topic, the same problem from different angles, offering multiple solutions or strategies to the same issue. Because of this approach most of my work is organized in cycles of pieces. Every cycle is then connected to the next one.In detail the scores included are the result of reflections on notation, form, of experimentation with instruments, electronics, space, lights and different performative settings. From L'abisso intorno (2019) to Studio sulla risacca (2022) passing through Chronicles of the after bomb (2019) and Haut (2021) took place many experimentations and failures alongside discussions with colleagues, musicians, performers and artists who helped me focusing more and more on my field of interest: the instability hidden within every object as an existential "ground zero" of the human experience.
- Subject Added Entry-Topical Term
- Musical composition.
- Subject Added Entry-Topical Term
- Music.
- Subject Added Entry-Topical Term
- Aesthetics.
- Index Term-Uncontrolled
- Oscillation
- Index Term-Uncontrolled
- Musical work
- Index Term-Uncontrolled
- Chamber music
- Index Term-Uncontrolled
- Electronic music
- Added Entry-Corporate Name
- Harvard University Music
- Host Item Entry
- Dissertations Abstracts International. 84-12A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:640842
MARC
008240220s2023 ulk 00 kor■001000016932083
■00520240214100410
■006m o d
■007cr#unu||||||||
■020 ▼a9798379615925
■035 ▼a(MiAaPQ)AAI30486175
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a781
■1001 ▼aTroiani, Lorenzo.▼0(orcid)0009-0005-8591-1130
■24510▼aThe Oscillation of Things a Composition Portfolio▼h[electronic resource]
■260 ▼a[S.l.]▼bHarvard University. ▼c2023
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2023
■300 ▼a1 online resource(155 p.)
■500 ▼aSource: Dissertations Abstracts International, Volume: 84-12, Section: A.
■500 ▼aIncludes supplementary digital materials.
■500 ▼aAdvisor: Czernowin, Chaya;Tutschku, Hans.
■5021 ▼aThesis (Ph.D.)--Harvard University, 2023.
■506 ▼aThis item must not be sold to any third party vendors.
■520 ▼aThis portfolio dissertation brings together a selection of the musical work I produced over the course of five years (2018-2023). During this time I had the chance to compose for different instrumentations and contexts: from solo instrument, to opera, from chamber music to electronic music. The reflection and work on these pieces of music lead me to expand my interests and my aesthetics, approaching a new world of sonic possibilities. At the beginning of my doctoral research, in fact, I was mostly focused on the representation of the inner world, a very intimate approach to sound, vibrations, pulsations. In other words, I was interested in music composition as a tool to magnify the secluded sound world hidden inside my body. The world outside was, at this stage, just a mere representation of the inner world. During my Ph.D., the core of my research shifted gradually from the inside world to the outside world, questioning the role of the composer and of the reality in front of me along the way. During this five years period, in fact, my attention and interest focused more and more on the close observation and deep listening of natural and acoustic phenomena. Music composition became a tool to freeze time and magnify the reality in front of me, in order to understand it better, to learn its structure, and to see all the small details and differentiations on its surface. Following this process and thanks to this close observation (and "deep listening") I started to look at things in a different way: they felt alive, pulsating and oscillating in front of my very eyes. The discovery of this instability hidden within every phenomenon reshaped my aesthetics and my approach to music composition.The eight scores included represent the range of approaches, the various steps within this gradual shift. They can be seen and analyzed as part of a journey, various stops of a path. My approach to each new work of music, in fact, moves from the ruins of the previous one and carries on the reflection started there. In this way I can tackle the same topic, the same problem from different angles, offering multiple solutions or strategies to the same issue. Because of this approach most of my work is organized in cycles of pieces. Every cycle is then connected to the next one.In detail the scores included are the result of reflections on notation, form, of experimentation with instruments, electronics, space, lights and different performative settings. From L'abisso intorno (2019) to Studio sulla risacca (2022) passing through Chronicles of the after bomb (2019) and Haut (2021) took place many experimentations and failures alongside discussions with colleagues, musicians, performers and artists who helped me focusing more and more on my field of interest: the instability hidden within every object as an existential "ground zero" of the human experience.
■590 ▼aSchool code: 0084.
■650 4▼aMusical composition.
■650 4▼aMusic.
■650 4▼aAesthetics.
■653 ▼aOscillation
■653 ▼aMusical work
■653 ▼aChamber music
■653 ▼aElectronic music
■690 ▼a0214
■690 ▼a0413
■690 ▼a0650
■71020▼aHarvard University▼bMusic.
■7730 ▼tDissertations Abstracts International▼g84-12A.
■773 ▼tDissertation Abstract International
■790 ▼a0084
■791 ▼aPh.D.
■792 ▼a2023
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T16932083▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
■980 ▼a202402▼f2024
