자료유형  

 학위논문

Control Number  

0016935281

International Standard Book Number  

9798380616898

Dewey Decimal Classification Number  

709

Main Entry-Personal Name  

Dayton, Elizabeth Carey Williams.

Publication, Distribution, etc. (Imprint  

[S.l.] : University of California, Los Angeles., 2023

Publication, Distribution, etc. (Imprint  

Ann Arbor : ProQuest Dissertations & Theses, 2023

Physical Description  

1 online resource(193 p.)

General Note  

Source: Dissertations Abstracts International, Volume: 85-04, Section: A.

General Note  

Advisor: Norberg, Kathryn.

Dissertation Note  

Thesis (Ph.D.)--University of California, Los Angeles, 2023.

Restrictions on Access Note  

This item must not be sold to any third party vendors.

Summary, Etc.  

요약This project examines the significance of art produced by and within sex working/trading communities, focusing on art from in the San Francisco Bay Area, Seattle, and New York City. By examining the visual and performative art, artist practices, art shows, and festivals that fund, curate, and celebrate sex worker art, this dissertation explores how sex worker cultural production functions as activism among those in sex working/trading communities, not only in its ability to disrupt harmful/incomplete narratives of the sex industry for non-sex working publics, but also its ability to cultivate relationality among sex working/trading subjects as a political project of survival, resilience, and community building. The project begins with a genealogy of the historical connection of erotic labor and art, the development of "sex worker art" as a category of artistic production emergent in the 1970s and 1980s, and its subsequent proliferation as a vital arm of contemporary transnational sex worker rights movements. Working with film short Lucid Noon, Sunset Blush, off-Broadway musical, TRINKETS and But I Am Here New York City street-mural and digital zine, I demonstrate the visual and thematic representations of relationality and community formation in significant cases of cultural production of sex working and trading communities. I contextualize these depictions of relationality among sex working and trading communities as both situated knowledges of sex working and trading communities, as well as situated imaginaries of utopian world-building. I then examine how sex worker cultural production cultivates relationality and community formation in praxis amongst sex working and trading artists, organizers, and attendees, considering in-person events, exhibitions, and festival spaces. I consider sex worker community formation through art and content sharing across digital platforms during the global COVID- 19 crisis, and heightened surveillance and policing of sex workers online post-FOSTA-SESTA, foregrounding the nature of sex worker's art and presence in digital space as ephemeral performance art.

Subject Added Entry-Topical Term  

Art history.

Subject Added Entry-Topical Term  

Performing arts.

Subject Added Entry-Topical Term  

Film studies.

Subject Added Entry-Topical Term  

Gender studies.

Index Term-Uncontrolled  

Art

Index Term-Uncontrolled  

Cultural production

Index Term-Uncontrolled  

Relationality

Index Term-Uncontrolled  

Sex worker art

Index Term-Uncontrolled  

Social movements

Added Entry-Corporate Name  

University of California, Los Angeles Gender Studies 006L

Host Item Entry  

Dissertations Abstracts International. 85-04A.

Host Item Entry  

Dissertation Abstract International

Electronic Location and Access  

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Control Number  

joongbu:639697