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A Timeline and History of the Band Program at the University of Miami
A Timeline and History of the Band Program at the University of Miami
상세정보
- 자료유형
- 학위논문
- Control Number
- 0015491021
- International Standard Book Number
- 9781392230091
- Dewey Decimal Classification Number
- 378
- Main Entry-Personal Name
- McKenzie, Craig S.
- Publication, Distribution, etc. (Imprint
- [Sl] : University of Miami, 2019
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2019
- Physical Description
- 220 p
- General Note
- Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
- General Note
- Publisher info.: Dissertation/Thesis.
- General Note
- Advisor: Carnochan, Robert.
- Dissertation Note
- Thesis (D.M.A.)--University of Miami, 2019.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Summary, Etc.
- 요약The band program at the University of Miami (UM), Frost School of Music (FSOM) has a rich and varied history of influential and important directors, including some of the most valued names in the American wind band world who have shaped the program, as band director, faculty member, or non-faculty, but integrally involved friend of the program-such as Henry Fillmore, Frederick Fennell, Clifton Williams, Alfred Reed, and Gary Green.The band program at Miami has also become known for its commitment to the commissioning, performing, and embracing of new music for the wind band medium. This study provides a timeline and oral history of the band program, and how it has developed into what it is today-one that embraces new and innovative music for the wind band. This timeline has been compiled through the interviews of former faculty members and community members who have been connected to the program at different times throughout its history, with the available records from publications such as Ibis, Tempo, Veritas, and the Miami Hurricane. The primary audience for this oral history is graduate students in performance (most specifically wind band conducting programs) and music educators at the collegiate level.
- Subject Added Entry-Topical Term
- Music education
- Subject Added Entry-Topical Term
- Higher education
- Added Entry-Corporate Name
- University of Miami Instrumental Conducting
- Host Item Entry
- Dissertations Abstracts International. 80-12A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:566721
MARC
008200131s2019 c eng d■001000015491021
■00520200217181109
■020 ▼a9781392230091
■035 ▼a(MiAaPQ)AAI13864556
■035 ▼a(MiAaPQ)miami:11850
■040 ▼aMiAaPQ▼cMiAaPQ
■0820 ▼a378
■1001 ▼aMcKenzie, Craig S.
■24510▼aA Timeline and History of the Band Program at the University of Miami
■260 ▼a[Sl]▼bUniversity of Miami▼c2019
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2019
■300 ▼a220 p
■500 ▼aSource: Dissertations Abstracts International, Volume: 80-12, Section: A.
■500 ▼aPublisher info.: Dissertation/Thesis.
■500 ▼aAdvisor: Carnochan, Robert.
■5021 ▼aThesis (D.M.A.)--University of Miami, 2019.
■506 ▼aThis item must not be sold to any third party vendors.
■520 ▼aThe band program at the University of Miami (UM), Frost School of Music (FSOM) has a rich and varied history of influential and important directors, including some of the most valued names in the American wind band world who have shaped the program, as band director, faculty member, or non-faculty, but integrally involved friend of the program-such as Henry Fillmore, Frederick Fennell, Clifton Williams, Alfred Reed, and Gary Green.The band program at Miami has also become known for its commitment to the commissioning, performing, and embracing of new music for the wind band medium. This study provides a timeline and oral history of the band program, and how it has developed into what it is today-one that embraces new and innovative music for the wind band. This timeline has been compiled through the interviews of former faculty members and community members who have been connected to the program at different times throughout its history, with the available records from publications such as Ibis, Tempo, Veritas, and the Miami Hurricane. The primary audience for this oral history is graduate students in performance (most specifically wind band conducting programs) and music educators at the collegiate level.
■590 ▼aSchool code: 0125.
■650 4▼aMusic education
■650 4▼aHigher education
■690 ▼a0522
■690 ▼a0745
■71020▼aUniversity of Miami▼bInstrumental Conducting.
■7730 ▼tDissertations Abstracts International▼g80-12A.
■773 ▼tDissertation Abstract International
■790 ▼a0125
■791 ▼aD.M.A.
■792 ▼a2019
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T15491021▼nKERIS▼z이 자료의 원문은 한국교육학술정보원에서 제공합니다.
■980 ▼a202002▼f2020
