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Painting the Formless and Strumming the Soundless: Yang Xiong's Taixuan jing as Expression of the Absolute
Painting the Formless and Strumming the Soundless: Yang Xiong's Taixuan jing as Expression of the Absolute
- 자료유형
- 학위논문
- Control Number
- 0015492116
- International Standard Book Number
- 9781085735599
- Dewey Decimal Classification Number
- 100
- Main Entry-Personal Name
- Liu, Jennifer.
- Publication, Distribution, etc. (Imprint
- [Sl] : University of Washington, 2019
- Publication, Distribution, etc. (Imprint
- Ann Arbor : ProQuest Dissertations & Theses, 2019
- Physical Description
- 253 p
- General Note
- Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
- General Note
- Advisor: Knechtges, David R.
- Dissertation Note
- Thesis (Ph.D.)--University of Washington, 2019.
- Restrictions on Access Note
- This item must not be sold to any third party vendors.
- Restrictions on Access Note
- This item must not be added to any third party search indexes.
- Summary, Etc.
- 요약This dissertation is a study of Yang Xiong's (53 BCE-18 CE) Taixuan jing that attempts to incorporate philological methods with philosophical insights by situating the text within the intellectual and historical context of the late Eastern Han. Secondarily, it is a response to the modern suggestion that the Taixuan jing paved the way for Wei-Jin xuanxue movement, and thus seeks to probe the limits of the extent of this claim with an investigation into Yang Xiong's mentor Zhuang Zun (83 BCE-ca. 6 CE) and the Jingzhou school established under the auspices of Liu Biao (144-208). While most studies have taken the Taixuan jing as an imitation of the Zhou yi, I have argued that if we are to truly understand Yang Xiong's project we must break free of this preconception and look at it in its own right. That is, the Taixuan is not merely an imitation of the Zhou yi, but that of a higher, transcendental truth which I have called the "absolute" that is expressed through image, parallel prose, and verse.In 짠1 I will set forth the philosophical background by looking at the concept of mimesis as it had evolved in meaning by the time of Plato
- Subject Added Entry-Topical Term
- Asian studies
- Subject Added Entry-Topical Term
- Classical studies
- Subject Added Entry-Topical Term
- Philosophy
- Added Entry-Corporate Name
- University of Washington Asian Languages and Literature
- Host Item Entry
- Dissertations Abstracts International. 81-03A.
- Host Item Entry
- Dissertation Abstract International
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:565639