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The theatre of D. H. Lawrence : dramatic modernist and theatrical innovator
The theatre of D. H. Lawrence : dramatic modernist and theatrical innovator
상세정보
- 자료유형
- 단행본
- Control Number
- n915346679
- International Standard Book Number
- 9781472570406 electronic bk.
- International Standard Book Number
- 1472570405 electronic bk.
- International Standard Book Number
- 9781472570383
- International Standard Book Number
- 1472570383
- International Standard Book Number
- 9781472570376
- International Standard Book Number
- 1472570375
- International Standard Book Number
- 9781472570390
- Library of Congress Call Number
- PR6023.A93-Z6885 2015eb
- Dewey Decimal Classification Number
- 822/.912-23
- Main Entry-Personal Name
- Moran, James , 1978-
- Publication, Distribution, etc. (Imprint
- London ; New York : Bloomsbury Methuen Drama, 2015
- Physical Description
- 1 online resource.
- Series Statement
- Critical companions
- Summary, Etc.
- 요약"This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--해제Provided by publisher.
- Bibliography, Etc. Note
- Includes bibliographical references (pages 229-238) and index.
- Formatted Contents Note
- 완전내용Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker
- Formatted Contents Note
- 완전내용Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esmé Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht
- Formatted Contents Note
- 완전내용The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX
- Subject Added Entry-Personal Name
- Lawrence, D. H.((David Herbert)) , 1885-1930
- Subject Added Entry-Personal Name
- Lawrence, D. H.((David Herbert)) , 1885-1930
- Subject Added Entry-Topical Term
- LITERARY CRITICISM / Drama.
- Subject Added Entry-Topical Term
- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
- Subject Added Entry-Topical Term
- PERFORMING ARTS / Film & Video / History & Criticism.
- Subject Added Entry-Topical Term
- PERFORMING ARTS / Theater / History & Criticism.
- Subject Added Entry-Topical Term
- Criticism and interpretation.
- Subject Added Entry-Topical Term
- DRAMA / English, Irish, Scottish, Welsh
- Subject Added Entry-Topical Term
- Criticism -- History
- Subject Added Entry-Topical Term
- Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works
- Subject Added Entry-Topical Term
- Literature -- History and criticism -- Theory, etc
- Subject Added Entry-Topical Term
- Literature -- Philosophy -- History
- Additional Physical Form Entry
- Print version / Moran, James, 1978-The theatre of D. H. Lawrence. 9781472570383. (DLC) 2015010417. (OCoLC)898160710
- Series Added Entry-Uniform Title
- Critical companions (London, England)
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:504751
MARC
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■003OCoLC
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■020 ▼a1472570405▼qelectronic bk.
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■050 4▼aPR6023.A93▼bZ6885 2015eb
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■08204▼a822/.912▼223
■084 ▼aLIT013000▼aLIT004120▼aPER004030▼aPER011020▼2bisacsh
■1001 ▼aMoran, James▼d1978-▼eauthor.
■24510▼aThe theatre of D. H. Lawrence ▼bdramatic modernist and theatrical innovator ▼cJames Moran
■260 ▼aLondon ; New York▼bBloomsbury Methuen Drama▼c2015
■300 ▼a1 online resource.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼aCritical companions
■520 ▼a"This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--▼cProvided by publisher.
■504 ▼aIncludes bibliographical references (pages 229-238) and index.
■5880 ▼aPrint version record.
■5050 ▼aCover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker
■5058 ▼aEdward GarnettRegional repertory theatre; Frieda; The Stage Society; Esmé Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht
■5058 ▼aThe final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX
■590 ▼aeBooks on EBSCOhost▼bAll EBSCO eBooks
■60010▼aLawrence, D. H.▼q(David Herbert)▼d1885-1930▼xDramatic works.
■60017▼aLawrence, D. H.▼q(David Herbert)▼d1885-1930.▼2fast▼0(OCoLC)fst00031306
■650 7▼aLITERARY CRITICISM / Drama.▼2bisacsh
■650 7▼aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.▼2bisacsh
■650 7▼aPERFORMING ARTS / Film & Video / History & Criticism.▼2bisacsh
■650 7▼aPERFORMING ARTS / Theater / History & Criticism.▼2bisacsh
■650 7▼aCriticism and interpretation.▼2fast▼0(OCoLC)fst01198648
■650 7▼aDRAMA / English, Irish, Scottish, Welsh▼2bisacsh
■650 4▼aCriticism -- History
■650 4▼aLawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works
■650 4▼aLiterature -- History and criticism -- Theory, etc
■650 4▼aLiterature -- Philosophy -- History
■655 4▼aElectronic books.
■655 0▼aElectronic books.
■77608▼iPrint version▼aMoran, James, 1978-▼tThe theatre of D. H. Lawrence▼z9781472570383▼w(DLC) 2015010417▼w(OCoLC)898160710
■830 0▼aCritical companions (London, England)
■85640▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1046744
■938 ▼aEBSCOhost▼bEBSC▼n1046744
■938 ▼aIngram Digital eBook Collection▼bIDEB▼ncis30431064
■938 ▼aCoutts Information Services▼bCOUT▼n30431064
■938 ▼aYBP Library Services▼bYANK▼n12552150
■938 ▼aEBL - Ebook Library▼bEBLB▼nEBL2120190
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