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Anecdotal Shakespeare : a new performance history
Anecdotal Shakespeare : a new performance history

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자료유형  
 단행본
Control Number  
n911179569
International Standard Book Number  
9781472576187 electronic bk.
International Standard Book Number  
1472576187 electronic bk.
International Standard Book Number  
9781472576170 electronic bk.
International Standard Book Number  
1472576179 electronic bk.
International Standard Book Number  
9781472576163 (hb)
International Standard Book Number  
9781472576156 (pb)
Library of Congress Call Number  
PR3091
Dewey Decimal Classification Number  
792.95822.33-23
Main Entry-Personal Name  
Menzer, Paul , 1966-
Publication, Distribution, etc. (Imprint  
London : Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, 2015
Physical Description  
1 online resource.
Series Statement  
The arden Shakespeare
Bibliography, Etc. Note  
Includes bibliographical references and index.
Formatted Contents Note  
완전내용Introduction: Anecdotal Shakespeare -- Tarlton's head -- Guildenstern's bassoon -- Shylock's son -- Richard's will -- 1 Hamlet: Skulls are good to think with -- Yorick's skulls -- Skull caps -- Like father, like son -- Ghost walkers -- 2 Othello: The smudge -- Pillow talk -- Desdemona's beard -- Another man -- The impossible fix -- One moor -- 3 Romeo and Juliet: Central casting -- Be some other name -- Old Montague -- Young Capulet -- Something old, something new . . . -- Romeo must die -- Unromantic altitudes -- Duck! -- 4 Richard III: Oedipus text -- Olivier's Dick -- Richard's whose self again? -- Heart-throbs and hamstrings -- Booth's trunk -- 5 Macbeth: An embarrassment of witches -- The unfortunate comedy -- Of curses and kilts -- Tangible properties -- Crude mechanicals -- Stage frights -- Exeunt, cursing.
Summary, Etc.  
요약Shakespeare's four-hundred-year performance history is full of anecdotes ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth.
Subject Added Entry-Personal Name  
Shakespeare, William , 1564-1616
Subject Added Entry-Personal Name  
Shakespeare, William , 1564-1616
Subject Added Entry-Topical Term  
Shakespearean actors and actresses Anecdotes
Subject Added Entry-Topical Term  
Acting Anecdotes
Subject Added Entry-Topical Term  
DRAMA / English, Irish, Scottish, Welsh
Subject Added Entry-Topical Term  
PERFORMING ARTS / Theater / General
Electronic Location and Access  
로그인을 한후 보실 수 있는 자료입니다.
Control Number  
joongbu:504740

MARC

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■1001  ▼aMenzer,  Paul▼d1966-▼eauthor.
■24510▼aAnecdotal  Shakespeare  ▼ba  new  performance  history  ▼cPaul  Menzer
■260    ▼aLondon▼bBloomsbury  Arden  Shakespeare,  an  imprint  of  Bloomsbury  Publishing  Plc▼c2015
■300    ▼a1  online  resource.
■336    ▼atext▼btxt▼2rdacontent
■337    ▼acomputer▼bc▼2rdamedia
■338    ▼aonline  resource▼bcr▼2rdacarrier
■4901  ▼aThe  arden  Shakespeare
■5880  ▼aOnline  resource;  title  from  PDF  title  page  (Ebsco,  viewed  June  24,  2015).
■504    ▼aIncludes  bibliographical  references  and  index.
■5050  ▼aIntroduction:  Anecdotal  Shakespeare  --  Tarlton's  head  --  Guildenstern's  bassoon  --  Shylock's  son  --  Richard's  will  --  1  Hamlet:  Skulls  are  good  to  think  with  --  Yorick's  skulls  --  Skull  caps  --  Like  father,  like  son  --  Ghost  walkers  --  2  Othello:  The  smudge  --  Pillow  talk  --  Desdemona's  beard  --  Another  man  --  The  impossible  fix  --  One  moor  --  3  Romeo  and  Juliet:  Central  casting  --  Be  some  other  name  --  Old  Montague  --  Young  Capulet  --  Something  old,  something  new  .  .  .  --  Romeo  must  die  --  Unromantic  altitudes  --  Duck!  --  4  Richard  III:  Oedipus  text  --  Olivier's  Dick  --  Richard's  whose  self  again?  --  Heart-throbs  and  hamstrings  --  Booth's  trunk  --  5  Macbeth:  An  embarrassment  of  witches  --  The  unfortunate  comedy  --  Of  curses  and  kilts  --  Tangible  properties  --  Crude  mechanicals  --  Stage  frights  --  Exeunt,  cursing.
■520    ▼aShakespeare's  four-hundred-year  performance  history  is  full  of  anecdotes  ribald,  trivial,  frequently  funny,  sometimes  disturbing,  and  always  but  loosely  allegiant  to  fact.  Such  anecdotes  are  nevertheless  a  vital  index  to  the  ways  that  Shakespeare's  plays  have  generated  meaning  across  varied  times  and  in  varied  places.  Furthermore,  particular  plays  have  produced  particular  anecdotes  stories  of  a  real  skull  in  Hamlet,  superstitions  about  the  name  Macbeth,  toga  troubles  in  Julius  Caesar  and  therefore  express  something  embedded  in  the  plays  they  attend.  Anecdotes  constitute  then  not  just  a  vital  component  of  a  play's  performance  history  but  a  form  of  vernacular  criticism  by  the  personnel  most  intimately  involved  in  their  production:  actors.  These  anecdotes  are  therefore  every  bit  as  responsive  to  and  expressive  of  a  play's  meanings  across  time  as  the  equally  rich  history  of  Shakespearean  criticism  or  indeed  the  very  performances  these  anecdotes  treat.  Anecdotal  Shakespeare  provides  a  history  of  post-Renaissance  Shakespeare  and  performance,  one  not  based  in  fact  but  no  less  full  of  truth.
■590    ▼aeBooks  on  EBSCOhost▼bAll  EBSCO  eBooks
■60010▼aShakespeare,  William▼d1564-1616▼xCriticism  and  interpretation.
■60010▼aShakespeare,  William▼d1564-1616▼xStage  history.
■650  0▼aShakespearean  actors  and  actresses▼vAnecdotes
■650  0▼aActing▼vAnecdotes
■650  7▼aDRAMA  /  English,  Irish,  Scottish,  Welsh▼2bisacsh
■650  7▼aPERFORMING  ARTS  /  Theater  /  General▼2bisacsh
■655  4▼aElectronic  books.
■655  7▼aElectronic  books.▼2local
■8001  ▼aShakespeare,  William▼d1564-1616.▼tWorks.▼f1995.
■85640▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1004946
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