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Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology
Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology
상세정보
- 자료유형
- 단행본
- Control Number
- n876513070
- International Standard Book Number
- 9781135617264 (electronic bk.)
- International Standard Book Number
- 1135617260 (electronic bk.)
- Library of Congress Call Number
- ML170 .C75 2014
- Dewey Decimal Classification Number
- 782.0092
- Main Entry-Personal Name
- Moll, Kevin N.
- Publication, Distribution, etc. (Imprint
- Hoboken : Taylor and Francis, 2014
- Physical Description
- 1 online resource (430 pages).
- Series Statement
- Criticism and Analysis of Early Music
- Formatted Contents Note
- 완전내용Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Gerüstsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key.
- Formatted Contents Note
- 완전내용D. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence.
- Formatted Contents Note
- 완전내용D. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality.
- Formatted Contents Note
- 완전내용11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION.
- Summary, Etc.
- 요약First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
- Subject Added Entry-Personal Name
- Dufay, Guillaume , 1397-1474
- Subject Added Entry-Personal Name
- Dufay, Guillaume , 1397-1474
- Subject Added Entry-Topical Term
- Music 500-1400 History and criticism
- Subject Added Entry-Topical Term
- Music 15th century History and criticism
- Subject Added Entry-Topical Term
- Counterpoint History
- Subject Added Entry-Topical Term
- MUSIC Instruction & Study Voice.
- Subject Added Entry-Topical Term
- MUSIC Printed Music Vocal.
- Subject Added Entry-Topical Term
- Counterpoint.
- Subject Added Entry-Topical Term
- Music.
- Additional Physical Form Entry
- Print versionMoll, Kevin N. Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology. Hoboken : Taylor and Francis, ©2014 9780815323464
- Series Added Entry-Uniform Title
- Criticism and analysis of early music.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:504658
MARC
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■003OCoLC
■00520170314062858.7
■006m o d
■007cr cnu---unuuu
■040 ▼aEBLCP▼beng▼epn▼cEBLCP▼dOCLCO▼dMHW▼dN$T▼dOCLCO▼dOCLCQ▼dOCLCF▼dOCL▼dOCLCQ▼dOCL▼dOCLCO
■020 ▼a9781135617264▼q(electronic bk.)
■020 ▼a1135617260▼q(electronic bk.)
■035 ▼a(OCoLC)876513070
■050 4▼aML170 .C75 2014
■072 7▼aMUS▼x042000▼2bisacsh
■072 7▼aMUS▼x052000▼2bisacsh
■072 7▼aMUS▼x037110▼2bisacsh
■08204▼a782.0092
■1001 ▼aMoll, Kevin N.
■24510▼aCounterpoint and Compositional Process in the Time of Dufay ▼bPerspectives from German Musicology
■260 ▼aHoboken▼bTaylor and Francis▼c2014
■300 ▼a1 online resource (430 pages).
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼aCriticism and Analysis of Early Music
■5880 ▼aPrint version record.
■5050 ▼aCover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Gerüstsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key.
■5058 ▼aD. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence.
■5058 ▼aD. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality.
■5058 ▼a11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION.
■520 ▼aFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
■590 ▼aeBooks on EBSCOhost▼bAll EBSCO eBooks
■60010▼aDufay, Guillaume▼d1397-1474▼xCriticism and interpretation.
■60017▼aDufay, Guillaume▼d1397-1474▼2fast▼0(OCoLC)fst01816530
■650 0▼aMusic▼y500-1400▼xHistory and criticism
■650 0▼aMusic▼y15th century▼xHistory and criticism
■650 0▼aCounterpoint▼xHistory
■650 7▼aMUSIC▼xInstruction & Study▼xVoice.▼2bisacsh
■650 7▼aMUSIC▼xLyrics.▼2bisacsh
■650 7▼aMUSIC▼xPrinted Music▼xVocal.▼2bisacsh
■650 7▼aCounterpoint.▼2fast▼0(OCoLC)fst00881333
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■648 7▼a500-1499▼2fast
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 7▼aHistory.▼2fast▼0(OCoLC)fst01411628
■77608▼iPrint version▼aMoll, Kevin N.▼tCounterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology.▼dHoboken : Taylor and Francis, ©2014▼z9780815323464
■830 0▼aCriticism and analysis of early music.
■85640▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=756044
■938 ▼aEBL - Ebook Library▼bEBLB▼nEBL1666763
■938 ▼aEBSCOhost▼bEBSC▼n756044
■994 ▼a92▼bK8N
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