자료유형  

 단행본

Control Number  

n876513070

International Standard Book Number  

9781135617264 (electronic bk.)

International Standard Book Number  

1135617260 (electronic bk.)

Library of Congress Call Number  

ML170 .C75 2014

Dewey Decimal Classification Number  

782.0092

Main Entry-Personal Name  

Moll, Kevin N.

Publication, Distribution, etc. (Imprint  

Hoboken : Taylor and Francis, 2014

Physical Description  

1 online resource (430 pages).

Series Statement  

Criticism and Analysis of Early Music

Formatted Contents Note  

완전내용Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Gerüstsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key.

Formatted Contents Note  

완전내용D. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence.

Formatted Contents Note  

완전내용D. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality.

Formatted Contents Note  

완전내용11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION.

Summary, Etc.  

요약First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Subject Added Entry-Personal Name  

Dufay, Guillaume , 1397-1474

Subject Added Entry-Personal Name  

Dufay, Guillaume , 1397-1474

Subject Added Entry-Topical Term  

Music 500-1400 History and criticism

Subject Added Entry-Topical Term  

Music 15th century History and criticism

Subject Added Entry-Topical Term  

Counterpoint History

Subject Added Entry-Topical Term  

MUSIC Instruction & Study Voice.

Subject Added Entry-Topical Term  

MUSIC Lyrics.

Subject Added Entry-Topical Term  

MUSIC Printed Music Vocal.

Subject Added Entry-Topical Term  

Counterpoint.

Subject Added Entry-Topical Term  

Music.

Additional Physical Form Entry  

Print versionMoll, Kevin N. Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology. Hoboken : Taylor and Francis, ©2014 9780815323464

Series Added Entry-Uniform Title  

Criticism and analysis of early music.

Electronic Location and Access  

로그인을 한후 보실 수 있는 자료입니다.

Control Number  

joongbu:504658