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Critical craft : technology, globalization, and capitalism
Critical craft : technology, globalization, and capitalism

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자료유형  
 단행본
Control Number  
n932124818
International Standard Book Number  
9781472594877 electronic bk.
International Standard Book Number  
1472594878 electronic bk.
International Standard Book Number  
9781472594853
International Standard Book Number  
1472594851
International Standard Book Number  
9781472594860
International Standard Book Number  
147259486X
Library of Congress Call Number  
GN406-.C725 2016eb
Dewey Decimal Classification Number  
306.4/5-23
Physical Description  
1 online resource.
Summary, Etc.  
요약"From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world.Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"--해제Provided by publisher.
Formatted Contents Note  
완전내용Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index.
Subject Added Entry-Topical Term  
Material culture
Subject Added Entry-Topical Term  
Artisans
Subject Added Entry-Topical Term  
Handicraft industries
Subject Added Entry-Topical Term  
Folk art
Subject Added Entry-Topical Term  
Workmanship
Subject Added Entry-Topical Term  
SOCIAL SCIENCE / Anthropology / General.
Subject Added Entry-Topical Term  
ART / General.
Subject Added Entry-Topical Term  
Artisans.
Subject Added Entry-Topical Term  
Folk art.
Subject Added Entry-Topical Term  
Handicraft industries.
Subject Added Entry-Topical Term  
Material culture.
Subject Added Entry-Topical Term  
Workmanship.
Subject Added Entry-Topical Term  
POLITICAL SCIENCE / Public Policy / Cultural Policy
Subject Added Entry-Topical Term  
SOCIAL SCIENCE / Anthropology / Cultural
Subject Added Entry-Topical Term  
SOCIAL SCIENCE / Popular Culture
Added Entry-Personal Name  
Wilkinson-Weber, Clare M.
Added Entry-Personal Name  
DeNicola, Alicia Ory
Additional Physical Form Entry  
Print versionCritical craft. 9781472594853. (DLC) 2015027677. (OCoLC)915159386
Electronic Location and Access  
로그인을 한후 보실 수 있는 자료입니다.
Control Number  
joongbu:500070

MARC

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■24500▼aCritical  craft  ▼btechnology,  globalization,  and  capitalism  ▼cedited  by  Clare  M.  Wilkinson-Weber  and  Alicia  Ory  DeNicola
■264  1▼aLondon▼aNew  York▼bBloomsbury  Academic,  an  imprint  of  Bloomsbury  Publishing  Plc▼c2016.
■300    ▼a1  online  resource.
■336    ▼atext▼btxt▼2rdacontent
■337    ▼acomputer▼bc▼2rdamedia
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■520    ▼a"From  Oaxacan  wood  carvings  to  dessert  kitchens  in  provincial  France,  Critical  Craft  presents  thirteen  ethnographies  which  examine  what  defines  and  makes  'craft'  in  a  wide  variety  of  practices  from  around  the  world.Challenging  the  conventional  understanding  of  craft  as  a  survival,  a  revival,  or  something  that  resists  capitalism,  the  book  turns  instead  to  the  designers,  DIY  enthusiasts,  traditional  artisans,  and  technical  programmers  who  consider  their  labor  to  be  craft,  in  order  to  comprehend  how  they  make  sense  of  it.  The  authors'  ethnographic  studies  focus  on  the  individuals  and  communities  who  claim  a  practice  as  their  own,  bypassing  the  question  of  craft  survival  to  ask  how  and  why  activities  termed  craft  are  mobilized  and  reproduced.  Moving  beyond  regional  studies  of  heritage  artisanship,  the  authors  suggest  that  ideas  of  craft  are  by  definition  part  of  a  larger  cosmopolitan  dialogue  of  power  and  identity.  By  paying  careful  attention  to  these  sometimes  conflicting  voices,  this  collection  shows  that  there  is  great  flexibility  in  terms  of  which  activities  are  labelled  'craft'.  In  fact,  there  are  many  related  ideas  of  craft  and  these  shape  distinct  engagements  with  materials,  people,  and  the  economy.  Case  studies  from  countries  including  Mexico,  Nigeria,  India,  Taiwan,  the  Philippines,  and  France  draw  together  evidence  based  on  linguistics,  microsociology,  and  participant  observation  to  explore  the  shifting  terrain  on  which  those  engaged  in  craft  are  operating.  What  emerges  is  a  fascinating  picture  which  shows  how  claims  about  craft  are  an  integral  part  of  contemporary  global  change"--▼cProvided  by  publisher.
■5058  ▼aMachine  generated  contents  note:  --  1:  Introduction  --  Clare  M.  Wilkinson-Weber,  Washington  State  University  Vancouver,  USA  and  Alicia  Ory  DeNicola,  Oxford  College  of  Emory  University,  USA  --  SECTION  ONE:  Claims  --  2:  Who  Authors  Crafts?  Producing  Woodcarvings  and  Authorship  in  Oaxaca,  Mexico  --  Alanna  Cant,  University  of  Oslo,  Norway  --  3:  Number  in  Craft:  Situated  Numbering  Practices  in  Do-It-Yourself  Sensor  Systems  --  Richard  Beckwith,  Intel  Corporation,  USA  --  4:  Arts  and  Crafts  as  a  Lived  Aesthetic  --  Fran  Mascia-Lees,  Rutgers  University,  USA  --  5:  Designs  on  Craft:  Negotiating  Artisanal  Knowledge  and  Identity  in  India  --  Clare  M.  Wilkinson-Weber,  Washington  State  University  Vancouver,  USA  and  Alicia  Ory  DeNicola,  Oxford  College  of  Emory  University,  USA  --  6:  Nomadic  Artisans  in  Central  America:  Building  Plurilocal  Communities  through  Craft  --  Villalobos  Rojas,  Dirección  General  de  Migración  y  Extranjería,  Costa  RicaSECTION  TWO:  Conundrums  --  7.  We  Have  Never  Been  Analog:  Situating  the  Study  of  Digital  Crafts  --  Lane  DeNicola,  Emory  University,  USA  --  8:  Crafting  Good  Chocolate  in  France  and  the  US  --  Susan  Terrio,  Georgetown  University,  USA  --  9:  Creativity,  Critique  and  Conservatism:  Keeping  Craft  Alive  among  Moroccan  Carpet  Weavers  and  French  Organic  Farmers  --  Myriem  Naji,  University  College  London,  UK  --  10:  Refashioning  a  Global  Craft  Commodity  Flow  from  the  Central  Philippines  --  B.  Lynne  Milgram,  OCAD  University,  Canada  --  SECTION  THREE:  Conflicts  --  11:  Modern  Craft:  Locating  the  Material  in  a  Digital  Age  --  Daniela  Rosner,  University  of  Washington,  USA  --  12:  Materials,  the  Nation  and  the  Self:  Division  of  Labor  in  a  Taiwanese  Craft  --  Geoffrey  Gowlland,  University  of  Oslo,  Norway  --  13:  The  Weight  of  Tradition:  Crafting  Robes,  Power  and  Politics  in  Nigeria's  Zaria  City  --  Elisha  Renne,  University  of  Michigan,  USA  --  14:  Crafting  Muslim  Artisans:  Agency  and  Exclusion  in  India's  Urban  Craft  Communities  --  Mira  Mohsini,  Kalamazoo  College,  USABibliography  --  Index.
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