자료유형  

 단행본

International Standard Book Number  

9780520954939 (electronic bk.)

International Standard Book Number  

0520954939 (electronic bk.)

International Standard Book Number  

9780520275614

International Standard Book Number  

0520275616

International Standard Book Number  

9780520275621

International Standard Book Number  

0520275624

Library of Congress Call Number  

PN1995.9.D6-M315 2013eb

Dewey Decimal Classification Number  

070.1/8-23

Main Entry-Personal Name  

MacDonald, Scott , 1942-

Publication, Distribution, etc. (Imprint  

Berkeley : University of California Press, 2013

Physical Description  

1 online resource (pages cm)

Bibliography, Etc. Note  

Includes bibliographical references and index.

Formatted Contents Note  

완전내용Cover; American Ethnographic Film and Personal Documentary; Title; Copyright; Dedication; CONTENTS; Introduction; A Tentative Overview of Boston-Area Documentary Filmmaking; Ethnographic Film and Personal Documentary; Pragmatism: Learning from Experience; The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn; Subjects for Further Research; Acknowledgments; 1. Lorna and John Marshall; Beginnings: Lorna Marshall and First Film; John Marshall: The Hunters; Idylls of the !Kung; Pedagogy; Expulsion from Eden: Bitter Melons and N!ai, the Story of a !Kung Woman

Formatted Contents Note  

완전내용The Pittsburgh Police Films and Brakhage's EyesPutting Down the Camera and Picking Up the Shovel; The Road Taken: A Kalahari Family; A Process in Time; 2. Robert Gardner; East Coast/West Coast: Early Experiments; Gardner and the Marshalls; Dead Birds; The Experience of Filmmaking as Thought Process; Robert Fulton: Reality's Invisible-"Serious Playing Around"; Screening Room: Midnight Movies; City Symphony: Forest of Bliss; The Return of the Repressed: Ika Hands; Still Journeying On: Unfinished Examinations of a Life; Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence

Formatted Contents Note  

완전내용3. Timothy AschDodoth Morning and the Ethnographic Deadpan; Asch and the Yanomamo; The Ax Fight; 4. Ed Pincus and the Emergence of Personal Documentary; The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument; Ed Pincus's Diaries (1971-1976); Alfred Guzzetti: Family Portrait Sittings; Guzzetti: It's a Small World; Guzzetti: Time Exposure; 5. Alfred Guzzetti and Personal Cinema; Air; Experimental Video: "Language Lessons"; Scylla and Charybdis; Still Point; 6. Ross McElwee; Finding a Muse: Charleen

Formatted Contents Note  

완전내용Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's BackyardDopplegänger: Sherman's March; Nesting Dolls: Time Indefinite; On the Road Again: Six O'Clock News; Occupational Hazards: Bright Leaves; Orpheus: In Paraguay and Photographic Memory; 7. Robb Moss; Riverdogs: A Possible Eden; The Tourist: "Freelance Editing"; Voyage of Life: The Same River Twice; 8. Panorama: Other Approaches to Personal Documentary; Steven Ascher and Jeanne Jordan: Families in Transition; Michel Negroponte: Getting Involved; Leacock and Lalonde

Formatted Contents Note  

완전내용The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the AtticThe Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies; Alexander Olch's The Windmill Movie: "This Little Séance of Flickering Light"; Amie Siegel's DDR/DDR; 9. Lucien Castaing-Taylor and Sensory Ethnography; Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass; "Sheeple": Castaing-Taylor's Audio-Video Installations; The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Véréna Paravel, and Leviathan; Epilogue

Summary, Etc.  

요약"American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century."--해제Provided by publisher.

Subject Added Entry-Topical Term  

Documentary films United States History and criticism

Subject Added Entry-Topical Term  

Ethnographic films United States History and criticism

Subject Added Entry-Topical Term  

PERFORMING ARTS Film & Video General.

Subject Added Entry-Topical Term  

LANGUAGE ARTS & DISCIPLINES / Journalism.

Subject Added Entry-Topical Term  

PERFORMING ARTS / Film & Video / General.

Subject Added Entry-Topical Term  

Documentary films.

Subject Added Entry-Topical Term  

Ethnographic films.

Subject Added Entry-Geographic Name  

United States.

Additional Physical Form Entry  

Print versionMacDonald, Scott, 1942- American ethnographic film and personal documentary. Berkeley : University of California Press, 2013 9780520275614 (DLC) 2012045799 (OCoLC)818734540

Electronic Location and Access  

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Control Number  

joongbu:428746