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3D- [electronic resource] : history, theory and aesthetics of the transplane image
3D- [electronic resource] : history, theory and aesthetics of the transplane image
- 자료유형
- 단행본
- International Standard Book Number
- 9781441129994 (electronic bk.)
- International Standard Book Number
- 1441129995 (electronic bk.)
- Library of Congress Call Number
- N7430.5 .S367 2014
- Dewey Decimal Classification Number
- 302.2301
- Main Entry-Personal Name
- Schröter, Jens (Professor)
- Uniform Title
- ED.. English
- Publication, Distribution, etc. (Imprint
- London : Bloomsbury Publishing, 2014
- Physical Description
- 1 online resource (501 pages) : illustrations
- Series Statement
- International texts in critical media aesthetics ; v. 6
- General Note
- Description based upon print version of record.
- Formatted Contents Note
- 완전내용Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's Techniques of the Observer; 1.1.1 Contours of Techniques of the Observer; 1.1.1.1 Introducing the rhetorics of ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 1.1.1.3 The observer as effect: Crary's references to Foucault; 1.1.1.4 From geometrical to physiological optics; 1.1.1.5 The problematic status of photography; 1.1.2 The self-dissolution of Crary's approach
- Formatted Contents Note
- 완전내용1.2 Outlining an alternative1.2.1 Layering replacing succession; 1.2.2 Discontinuity and continuity: Which Foucault?; 1.2.3 The four optical series; 1.3 Some short remarks on optics and optical media; 1.4 Transplane images and the production of space (Henri Lefebvre): 3D; 1.4.1 First series: Geometrical optics-plane; 1.4.2 Second, third and fourth series: 3D; 1.5 Spatial knowledge and media aesthetics of transplane images; 1.6 Summary and 0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: Sir David Brewster and the stereoscopic reproduction of sculptures; Notes
- Formatted Contents Note
- 완전내용CHAPTER THREE Since 1860: Photo sculptureSince 1860: Willème's photo sculpture; Media aesthetics of photo sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography; Notes; CHAPTER FIVE Since 1908: Integral photography/lenticular images; Notes; CHAPTER SIX 1935-1945: 'People without space'-people with spatial images; Notes; CHAPTER SEVEN 1918-1935: Marcel Duchamp: From projection to rotorelief; Notes; CHAPTER EIGHT Since 1948: The volumetric display; Notes; CHAPTER NINE Since 1948: Holography; 9.1 Principles, genesis and theory of holography; 9.2 The spatial knowledge of holo-interferometry
- Formatted Contents Note
- 완전내용9.3 Wave optics and the 'simulation' of geometrical optics: Holographic- optical elements, optical vs. visual media9.4 Media aesthetics of the transplane image 8-artistic holography: Illusionism, light and achrony; 9.5 Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and difference: The interactive-transplane image; Notes; PART THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First conclusion: Layering and not succession in media history; 11.2 Second conclusion: The importance of the seemingly marginal transplane images for the production of space
- Formatted Contents Note
- 완전내용11.3 Third conclusion: the diff erence of optical and visual media. Anthropomorphic vs. non-anthropomorphic media models11.4 Fourth conclusion: Critique of the planocentric notion of the image; Notes; BIBLIOGRAPHY; TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; Plate 4; Plate 5
- Summary, Etc.
- 요약There is a blind spot in recent accounts of the history, theory and aesthetics of optical media: namely, the field of the three-dimensional, or trans-plane, image. It has been widely used in the 20th century for very different practices - military, scientific and medical visualization - precisely because it can provide more spatial information. And now in the 21st century, television and film are employing the method even more. Appearing for the first time in English, Jens Schroeter's comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Ci.
- Subject Added Entry-Topical Term
- Photography Psychological aspects
- Subject Added Entry-Topical Term
- Three-dimensional imaging History
- Subject Added Entry-Topical Term
- Imagery (Psychology)
- Subject Added Entry-Topical Term
- Aesthetics
- Subject Added Entry-Topical Term
- Aesthetics, Modern
- Subject Added Entry-Topical Term
- Art -- Technique
- Subject Added Entry-Topical Term
- Depth perception
- Subject Added Entry-Topical Term
- Geschichte
- Subject Added Entry-Topical Term
- Stereoskopischer Film
- Subject Added Entry-Topical Term
- Three-dimensional imaging
- Subject Added Entry-Topical Term
- Visual perception
- Subject Added Entry-Topical Term
- PSYCHOLOGY / Social Psychology.
- Added Entry-Personal Name
- Pichon, Brigitte (Translator)
- Added Entry-Personal Name
- Rudnytsky, Dorian
- Additional Physical Form Entry
- Print versionSchroeter, Jens. 3D. English. 3D. New York : Bloomsbury, 2014 9781441194084 (DLC) 2013034736 (OCoLC)857141355
- Series Added Entry-Uniform Title
- International texts in critical media aesthetics ; v. 6.
- Electronic Location and Access
- 로그인을 한후 보실 수 있는 자료입니다.
- Control Number
- joongbu:427915