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International Standard Book Number  

9780520958517 (electronic bk.)

International Standard Book Number  

0520958519 (electronic bk.)

International Standard Book Number  

9780520280670 (cloth : alk. paper)

International Standard Book Number  

0520280679 (cloth : alk. paper)

International Standard Book Number  

9780520280687 (pbk. : alk. paper)

International Standard Book Number  

0520280687 (pbk. : alk. paper)

International Standard Book Number  

1306565855 (ebk)

International Standard Book Number  

9781306565851 (ebk)

Library of Congress Call Number  

PN1995.9.P6 .S65 2014

Dewey Decimal Classification Number  

791.436582825

Main Entry-Personal Name  

Smith, Jeff.

Publication, Distribution, etc. (Imprint  

Berkeley : University of California Press, 2014

Physical Description  

1 online resource (365 p)

General Note  

Description based upon print version of record.

Bibliography, Etc. Note  

Includes bibliographical references and index.

Formatted Contents Note  

완전내용Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer

Formatted Contents Note  

완전내용5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index

Summary, Etc.  

요약Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a.

Subject Added Entry-Topical Term  

Motion pictures Political aspects United States

Subject Added Entry-Topical Term  

Motion pictures United States History 20th century

Subject Added Entry-Topical Term  

Cold War in motion pictures

Subject Added Entry-Topical Term  

Communism and motion pictures United States

Subject Added Entry-Topical Term  

Blacklisting of entertainers United States History 20th century

Subject Added Entry-Topical Term  

Blacklisting of entertainers -- United States -- History -- 19th century

Subject Added Entry-Topical Term  

Blacklisting of entertainers -- United States -- History -- 20th century

Subject Added Entry-Topical Term  

Communism and motion pictures -- United States

Subject Added Entry-Topical Term  

Motion pictures -- Political aspects -- United States

Subject Added Entry-Topical Term  

Motion pictures -- United States -- History -- 19th century

Subject Added Entry-Topical Term  

Motion pictures -- United States -- History -- 20th century

Subject Added Entry-Topical Term  

PERFORMING ARTS / Reference.

Additional Physical Form Entry  

Print version / Smith, JeffFilm Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds. Berkeley : University of California Press,c2014. 9780520280670

Electronic Location and Access  

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Control Number  

joongbu:427612