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Musical forces- [electronic resource] : motion, metaphor, and meaning in music
Musical forces- [electronic resource] : motion, metaphor, and meaning in music

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자료유형  
 단행본
International Standard Book Number  
9780253005496 (electronic bk.)
International Standard Book Number  
0253005493 (electronic bk.)
International Standard Book Number  
9780253356826 (cloth : alk. paper)
International Standard Book Number  
0253356822 (cloth : alk. paper)
Library of Congress Call Number  
ML3820-.L36 2012
Dewey Decimal Classification Number  
781/.1-23
Main Entry-Personal Name  
Larson, Steve , 1955-2011
Publication, Distribution, etc. (Imprint  
Bloomington : Indiana University Press, c2012
Physical Description  
1 online resource (xvi, 369 p : ill.)
General Note  
"Multi-User."
Bibliography, Etc. Note  
Includes bibliographical references (p. 347-364) and index.
Formatted Contents Note  
완전내용Introduction -- A theory of musical forces. Thinking about music and thinking in music : pattern, meaning, analogy, metaphor and hierarchies ; Something in the way she moves : the metaphor of musical motion ; Melodic forces : gravity, magnetism, and inertia ; A theory of melodic expectation ; Rhythm, meter, and musical forces ; Analyses -- Evidence for musical forces. Converging evidence : an introduction to part 2 ; Evidence from experiments in visual perception and neuroscience ; Evidence from compositions and improvisations ; Evidence from music-theoretical misunderstandings ; Evidence from a listener-judgment experiment ; Evidence from comparing computer models with production-experiment results -- Conclusion. Summary and prospects.
Summary, Etc.  
요약Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence-as well as his skill as a jazz pianist-to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic pattern
Subject Added Entry-Topical Term  
Music Psychological aspects
Subject Added Entry-Topical Term  
Music Physiological effect
Subject Added Entry-Topical Term  
Music Physiological aspects
Subject Added Entry-Topical Term  
MUSIC Instruction & Study Appreciation.
Subject Added Entry-Topical Term  
Music Physiological aspects.
Subject Added Entry-Topical Term  
Music Physiological effect.
Subject Added Entry-Topical Term  
Music Psychological aspects.
Index Term-Uncontrolled  
"Multi-User"
Additional Physical Form Entry  
Print version. 9786613626172. (DLC) 2011024022
Series Added Entry-Uniform Title  
Musical meaning and interpretation.
Electronic Location and Access  
로그인을 한후 보실 수 있는 자료입니다.
Control Number  
joongbu:422326

MARC

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■020    ▼z0253356822  (cloth  :  alk.  paper)
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■1001  ▼aLarson,  Steve▼d1955-2011.
■24510▼aMusical  forces▼h[electronic  resource]  ▼bmotion,  metaphor,  and  meaning  in  music▼dSteve  Larson  ;  foreword  by  Robert  S.  Hatten
■260    ▼aBloomington▼bIndiana  University  Press▼cc2012
■300    ▼a1  online  resource  (xvi,  369  p  ▼bill.)
■500    ▼a"Multi-User."
■504    ▼aIncludes  bibliographical  references  (p.  347-364)  and  index.
■5050  ▼aIntroduction  --  A  theory  of  musical  forces.  Thinking  about  music  and  thinking  in  music  :  pattern,  meaning,  analogy,  metaphor  and  hierarchies  ;  Something  in  the  way  she  moves  :  the  metaphor  of  musical  motion  ;  Melodic  forces  :  gravity,  magnetism,  and  inertia  ;  A  theory  of  melodic  expectation  ;  Rhythm,  meter,  and  musical  forces  ;  Analyses  --  Evidence  for  musical  forces.  Converging  evidence  :  an  introduction  to  part  2  ;  Evidence  from  experiments  in  visual  perception  and  neuroscience  ;  Evidence  from  compositions  and  improvisations  ;  Evidence  from  music-theoretical  misunderstandings  ;  Evidence  from  a  listener-judgment  experiment  ;  Evidence  from  comparing  computer  models  with  production-experiment  results  --  Conclusion.  Summary  and  prospects.
■520    ▼aSteve  Larson  drew  on  his  20  years  of  research  in  music  theory,  cognitive  linguistics,  experimental  psychology,  and  artificial  intelligence-as  well  as  his  skill  as  a  jazz  pianist-to  show  how  the  experience  of  physical  motion  can  shape  one's  musical  experience.  Clarifying  the  roles  of  analogy,  metaphor,  grouping,  pattern,  hierarchy,  and  emergence  in  the  explanation  of  musical  meaning,  Larson  explained  how  listeners  hear  tonal  music  through  the  analogues  of  physical  gravity,  magnetism,  and  inertia.  His  theory  of  melodic  expectation  goes  beyond  prior  theories  in  predicting  complete  melodic  pattern
■588    ▼aDescription  based  on  print  version  record.
■650  0▼aMusic▼xPsychological  aspects
■650  0▼aMusic▼xPhysiological  effect
■650  0▼aMusic▼xPhysiological  aspects
■650  7▼aMUSIC▼xInstruction  &  Study▼xAppreciation.▼2bisacsh
■650  7▼aMusic▼xPhysiological  aspects.▼2fast▼0(OCoLC)fst01030411
■650  7▼aMusic▼xPhysiological  effect.▼2fast▼0(OCoLC)fst01030412
■650  7▼aMusic▼xPsychological  aspects.▼2fast▼0(OCoLC)fst01030418
■653    ▼a"Multi-User"
■655  4▼aElectronic  books.
■77608▼iPrint  version▼z9786613626172▼w(DLC)    2011024022
■830  0▼aMusical  meaning  and  interpretation.
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